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  • Snake Eater

    • By Mamelon May 2, 2008
    • Category IconLitte Jar of Mamelon
    • 0
    Chewing my own tail.
    A skin of wounds, pain, and scars.
    All these I consume.
    0
  • Like O, Like H (Sugar Spell it Out)

    • By Mamelon Dec 4, 2007
    • Category IconLitte Jar of Mamelon
    • 0
    When I was eight I was sure I was growing nerves,
    Like steel in my palm.
    Make a map of what you see,
    Direct pain effectively.
    I was eight. I was sure
    I was growing pains,
    Like lead in my feet.

    S.O.S. to my mother,
    Take the hinges off the door.
    S.O.S. to my mother,
    Take the hinges off the door.

    Oh, oh, sugar spell it out.
    Like oh, oh, sugar spell it out.
    Like oh, oh, sugar spell it out.
    Like O, like O, like H in your gut
    Like O, like H in your gut.
    Like O, like H in your gut.
    Like O, like H in your gut.
    In your gut.
    In you.
    S.O.S.

    When I was four plus a ten I was swinging fists,
    Like nails in a board.
    Pull your hands inside of you,
    Six years till I'll be through.
    I was four plus a ten.
    I was swinging back,
    Like a race to be sure.

    S.O.S to my mother,
    Take the hinges off the door.
    S.O.S to my mother,
    Take the hinges off the door.

    Oh, oh, sugar spell it out.
    Like oh, oh, sugar spell it out.
    Like oh, oh, sugar spell it out.
    Like O, like O, like H in your gut
    Like O, like H in your gut.
    Like O, like H in your gut.
    Like O, like H in your gut.
    In your gut.
    In you
    S.O.S.

    (by Tegan and Sara)
    0
  • While (Somewhere to Run)

    • By Mamelon Sep 24, 2007
    • Category IconLitte Jar of Mamelon
    • 0
    This song is a very sad song to me. It's by Garnet Crow, a Japanese band. The Japanese name is Kimi no ie Nitsukamade Zutto Ha*****eyuku. The English translation is "I'll Keep Running Until I get to your House." You can sample it with the temporary download.

    I remember this song from back when I was still with my former boyfriend. This was a band I was really getting into around that time, so their music brings back a lot of memories. This song in particular, because of one morning. I had just seen him a little while ago, and though we tried to keep in phone contact frequently, I missed him. I remember one morning in the late spring I was sitting in my living room with the sunlight, still pale, falling softly through my window. This song was playing, and I felt a deep sense of relaxation. I couldn't help but think about how "autumn-like" the music's tone felt. I was imagining many more mornings like that one, quiet and calm, only spent with him instead of by myself. I was looking forward to hearing from him again.

    Ironically, I think that day was the last day I ever heard his voice.

    What this music reminds me of is that sensation of waiting, the dream carried with it, of something personal and tender, a hope for life that seemed like it might be fulfilled. The refrain (and the final verse) I always found very touching:

    Maybe someday, baby
    And we'll be sleeping with the TV on.
    Goodnight. Goodnight, for you.

    I wanna stay together, darling
    To lovin' that last all forever.
    Goodnight. Goodnight, for you.

    Something sighted but not found, words waiting to be said.
    It signifies so many little things we hope for, needs we want cared for, private parts of ourselves, dreams we want to live. Feeling whole, with warmth and shelter, being home. The way we're hoping, silently, life will turn out to be.

    There are quiet dreams everybody nurses as they go, little wishes that so often go unseen unanswered. It revives the image of an innocence of a long while ago, places that you could go for safety, friends who you felt would always be there. Potential for a future that felt neverending. Thinking about someday, and wondering what it might be.

    I was looking through my songs today and I came across this one and decided to listen to it again. Out of nostalgia, I looked up the lyrics of it, as I never knew the full English lyrics before. Finally learning what they were felt personal somehow, cathartic.

    It isn't just that this song reminds me of him, but of that time, that dreaming about a someday. Envisioning someone's house I could run to. And the thought that there might not be such a place. That hopeful waiting, and how one of the things I was waiting for didn't ever come to be. Wanting to believe I might be able to share that with someone. Not feeling lonely for the first time in a long time, and being so grateful for it. And then being lonely again.

    In the end, I wasn't really alone. I suppose the song isn't completely sad. Underneath it, there's more. While there is loss, loss is not the end, nor all there ever will be. And whatever happens, there is still that part within you from long ago. Even if you don't live it quite the way you hoped, and even if others don't really see it, it's still part of you. Even when it's out of sight, "someday" is still there. Sometimes, it's even right here.

    So, goodnight. Just for now, goodnight.
    0
  • I want myself back, please.

    • By Mamelon Aug 11, 2007
    • Category IconLitte Jar of Mamelon
    • 2
    So, I think I must be some kind of genderqueer.

    I'm not sure how to say what I mean, as it's been eluding me, but I've come to see that there is no easy answer to who or what I am and what I could become. I feel as if it's not that I simply was born in the wrong place, but that there actually is no place for me.

    Sometimes it seems like gender reassignment is supposed to be a complete solution for a transgender person, a cure for gender dysphoria. And yes, it's a tremendously positive change, and surely many things would improve because of it alone. But for years I've had this sinking misgiving within that bothers me. Is that all there is to it? If I could metamorph into a perfectly normal, average heterosexual girl, meld into the crowd around me, would that be enough? Would that "fix" me?

    Of course, I do realize that this isn't the real or only option, to embody some archetypical sample of femaleness. That I'm not trying to absorb into an ideal female image that might I have, an abstract anima that I think will save me. But I've come to feel as if I'm supposed to form such an image and push towards it in order to divorce myself from associations with maleness.

    I think that's a pressure to "prove" my gender identity, a litmus to being a "real" trans female. That is, if I really identified as female, then I'd want to embrace the typical female role and all that it entailed. If I really identified as female, I wouldn't feel similar discomfort and frustration with the female role and image as I do with the male role and male image.
    Admittedly, I'm more strongly averse to masculine norms and behavior, because that's kind of what gender dysphoria is all about. And I have little discomfort with feminine qualities in a basic sense, but moreso with trying to turn completely into a female archetype, bind myself into a role.

    I feel as though I'm walking a tightrope. It's a narrow path to where I'm going. Too masculine, and it incriminates your trans identity and proves your not "really" a girl. Too feminine, and you must be acting out a stereotype. And you certainly can't stop moving. To me it appears that, like it or not, I have to prove myself to others, to the world. Prove the genuineness of my self as well as my gender. And the standard looks to be too high. It's so easy to fall off, and so difficult to find a balance that is comfortable and safe.

    But is it just a desire to transcend gender roles? I don't think so.

    I look at a picture of a person, and see distinguishing features. Broad shoulders here, a defined jawline there, size of hand or stature. I wince faintly as I see them. They look like markings, like brands. I see such marks on myself and feel not just a sense of misplacement, but also of exposure. They contain me, and they reveal what I am supposed to be, like writing on the flesh for any to see.

    I've said before that I have conflicted and disquieted feelings about the idea of having visible breasts, especially large ones. I've wondered why that is, because as a part of physical transition I would have thought I'd feel relief at the idea. But there's that same sense of exposure, of being marked. I would feel more comfortable and liberated with having female secondary sex characteristics than male ones, but I can't escape that strange self-consciousness. I imagine what would then be attached to me, what people would think as they saw me, what they would perceive.

    And there's a certain sexualization of these visible markings that is always so daunting to me. Perhaps I wish for a way to hide away from that? To keep my body personal? Maybe it's part of a desire to go back to being a child, to being androgynous and safe.

    I feel a deep desire to take these markings on me and rub them away, remove them like bonds. As if I lay mummified underneath layers of legacy and imagery, and I wish to reach up and tear these bindings until I find something pure and untamed and untouched.

    I'm somewhat surprised that I never went through any self-mutilation growing up. Not that I want to minimize what self-mutilation is, or even imply that I understand the feelings of others who do it. But trying to wash away these marks, cut away the artificial, cover myself up . . . I feel that very strongly.

    I hold a picture of a person in my mind, and see these being stripped away, cut off, transformed. Cover the form up, unleash the person inside.

    I find I am saying again, "Don't look at me."

    I suppose my crisis is that I don't see how I can find a secure medium, a way to freely be myself and avoid this exposure. I struggle to find where I am amidst the faces. It's like I'm unsure of how I can change myself without the risk of changing into someone else.
    Maybe this is something I should have expected, a hurdle to cross, a consequence of my quicksilver self-image. Changing the body to find harmony, to suit it to the mind and intuition, is a way of discovering, grasping, and choosing one's identity, after all.
    I wonder what I will find if I go far enough, if it really will be myself or if it will be just another image, another way of being misplaced. The fear of there not even being a right place after all, physically or otherwise. No way for me to be free of it all, to form my own independent identity.

    It's confusing to consider. I feel lost within it all. I've thought to myself before that my trans identification is something that is "naive," in the sense of being intuitive, tacit. It isn't just seeing myself as feminine - in terms of behavior - but as actually female. That's not easy to express in words. At times, I feel strong identification with feminine males, other times with femaleness specifically, and sometimes not with any gender or sex at all. And I am very aware of the monstrousness and Ugliness that comes with it.
    I think part of it is because it's all part of my background, and that in some way it mixes together within me.
    But it makes me shaky, uncertain. Uncertain of just what it is I'm trying to find, trying to be. Perhaps because it's not an ideal image to be achieved. Rather, it's something intuitive that's already there within me.

    Maybe some of the feeling of exposure comes from the shame, of not feeling able to claim what I am as part of myself. Feeling like I might just be trying on another skin, rather than being who and what I am and always have been. Shame has always been part of my life, including shame of being trans, and of daring to define and express my own identity. But it is my identity, and it's unique.

    So I feel discomfort with a model of what I'm supposed to be, whether it's a male one (a male one complicated by gender dysphoria) or even a female one. I'm not just another version of femaleness, or anything, just because I'm female or trans.

    I'm not a standard model. And I don't want to be bound down anymore.

    I want to be that pure, wild something.
    2
  • Come On

    • By Mamelon Jun 10, 2007
    • Category IconLitte Jar of Mamelon
    • 0
    You've got your lights turned so they can see you
    The very best of what you've got to offer.
    Tell them what your hands were made for.
    Tell them who your mouth was made for.

    You've got your profits and your mathematicians
    The vocal fuel of a generation.
    Tell me what my hands were made for.
    Tell me who my mouth was made for.
    And please don't be mad at me
    You'll get what you ask for.

    Come on. Come on. Come on.

    So very close to what you had expected,
    It makes it hard to keep my head up level.
    Tell me I'm what your hands were made for.
    Tell me I'm who your mouth was made for.
    And if you come down on me . . .
    Well, you'll get what you ask for.

    So, come on. Come on. Come on.

    I, I want to get myself back
    High. I want to get myself back tonight.

    All of the things
    That you promised us that you'd be,
    Well, now your hands are tired.

    And all of the things
    That you promised me that you'd need,
    Now my hands are tired.

    But I was nice.
    Yeah, I was nice.

    But I, I give my life for one night, one night, one night.

    I will not give up. I will not give up.
    I will not give up . . .

    What do you know? What do you know?
    What do you know?
    What do you know?

    Come on. Come on. Come on.

    ("Come On" by Tegan and Sara)
    0
  • The One-Hundredth Year of the Thorn

    • By Mamelon May 19, 2007
    • Category IconLitte Jar of Mamelon
    • 0
    Story notes.
    The world of Earth is a place fraught with mystery even to its inhabitants, and no one truly knows how many ages have passed over the land and vanished into the ambiguous mists of the past. The second age of Earth's time recorded in the histories of humankind is the age of the Pact, ennumering 1700 years of the Pact. It is so called because of a profound event 1800 years past during wich the first druid, then representative of mankind, forged a pact through friendship with the leader and king of the fey, clasping together the two races in a bond of alliance and coexistence which would come to characterize the balance of the Earth thereafter. Before that time was a chaotic, shadowy age full of much hardship and struggle as humans built their civilizations and grew as a race. The fey, the Elder race, descended upon humans in times of confusion, curisoty, and even fury, and were like in the eyes of mortal mena nd women to gods. Some begat war with their mortal brethen, while others felt compassion towards the younger and more fragile human race. The younger race regarded the fey, who they called the Hidden People, with fear and awe, and would avoid them at all costs, many times surrendinging offering unto them, accosting them with violence, or cowing from their blatant glory.

    In the stories it is told that a man named Noah, an exceptional prophet of his tribe, looked upon the face of the Elders with interest and insight rather than terror, and he boldly met with the feykind and came to understand their ways. In this way he was confronted by the immortal king of Faerie, their eldritch realm, the lord known as Kadmon. Noah and Kadmon forged a bond of trust and kinship, and Kadmon acknowledged Noah as a friend of his people and gave him to bear the mark of Faerie. From that time, Noah was known as the first of the druids, the fey-friends, and he acted as liason between his people and the mystical hierarchy of the Hidden ones. He and his clan eventually brought about peace between them. His lineage followed in his ways and created the tradition of druids who wore the mark of favor and served as intercessories between the two worlds. Eventually, even those not of Noah's blood came to enter his heritage.

    It was told that the fey were the first of beings created on Earth by the Creator, and that when humans were born, it was given to the fey to watch over them and guide them. While this relationship was strained and immature for perhaps thousands of years, it was by the Pact of Noah and Kadmon that the two grew to exemplify peace and enlightenment. The fey of the wild lived in harmony with the humans who dwelled among them, and for over a thousand years human cities and cultures sprouted up around the firm foundation of the leadership of Faerie.

    Little is truly known about Faerie, but even of all variety of fey that have been recorded, more still are said to dwell beyond sight in the Hidden Kingdom. They are ruled over by the immortal King and Queen, Kadmon and Rhea Hecate, who are as father and mother to all their people. Some believe that Kadmon and Rhea are not specific individuals so much as archetypal powers embodying an everlasting essence of fey rulership and benevolence, passed down from ruler to ruler like a vestment. They are said to assume many likenesses, and the early images of worship portrayed by primordial man bear the markings of the Elder King and Queen, wielding terrible glory like the inexplicable forces of nature they were feared to command.

    Worse still than the unpredictable fey in the hazy days of human life were three beings named the Betrayers. They are described as humans who had mastery over strange supernatural powers, and they gave over their humanity and their beating hearts to the allegiance of unearthly ills. In doing so, they became as demons, though in their human origins more ghastly and dreadful than any devil of myth. It is believed that many instances of evil fey in the old days were the machinations of the Betrayers, who seek the downfall of all life and who bear such a revulsion of human and fey alike that love nothing so much as the thought of their domination. The formation of the Pact meant hope against the powers of the Betrayers. The heroic people described in legends, warriors and druids, combined with legions of fey under the command of Kadmon and Rhea, and overcame the might of the Betrayers. In their defeat, the King and Queen locked them into an impenetrable prison from which they could no longer sway the fate of any living on Earth. Peace seemed to have prevailed, and the humans grew ever more as the years passed.

    The age of the Pact seemed to herald new life throughout every layer of existence. After over 1600 years of the Pact, and untold centuries before, an event came to pass whose signifiance is as of yet not fully understood, but is nonetheless as miraculous. Never before had Kadmon and Rhea Hecate borne their own children who were the true heirs of their bloodline. But it came to be that they conceived together and had a son and a daughter, inheritants of all of their parents' power and mystery. They were the children of blue hair, foretold in tropes and shadows in the tales of both men and fey, the prince and princess of Faerie. What import they bore was not openly fathomed, even by their parents. The daughter and son were given the respective names of Jubelon and Jari.

    Peace seemed to have prevailed, and the humans grew ever more as the years passed.

    However, the harmony and power of the Pact was irreparably shattered in the culmination of sin and folly. In year 1700 of the Pact, a mighty conflict coalesced that violently rent the link between the fey and the humans, and set them at odds more severely and surely than they had ever been. It is accounted that there was a young woman named Vespertina, a humble shepherdess who hailed from a rural village in Madrepoor. One day while in the field, she was approached by a radiant vision of the lord Kadmon, appearing to her as a beautiful youth who shone like the sun. He said that she was a woman more pure and strong in spirit than any other, and that she was to be mantled the herald of change and truth in the world of men, and to bring about some unforetold, but undeniably great, passing. Whether it was one of jubilation or cataclysm was not shown. Catalyzed by this vision, she set off on a journey, in the course of which she came to known the world round as a woman of profound wisdom, capable of performing great miracles, whom peace and truth followed by her side. She was respected by Faerie more than any other human, and was named the High Druid, Saint Vespertina. Legends frequently praise her as a hero.

    However, Vespertina gave rise to something even more grave than she herself was glorified. Tales account that she had fallen in love with the lord of Faerie, Kadmon, and that he returned her love. It is rumored that they exchanged their passion in secret, though this would not have been so dangerous as what transpired because of it. Kadmon made way for Vespertina to enter into Faerie. Never before had a human being stepped into the Hidden Realm. This came to be known as the Sin of Kadmon and Vespertina.

    Now that entrance had been given to a human, the way was opened for more humans to find their way into Faerie. As it became known that was possible, druids, witches, and other people entered into the Hidden Kingdom. They ventured to see the truth of the stories, to garner mythical power, to uncover the mysteries of the fey, or even to seize the majestic treaures of the realm. Though this caused much disquiet among humans and fey alike, there was not much time before there came the exposure of not only the sin, but its dire and indelible consequences. A siege was led against Faerie and its royal citadel. It was led by a great band of druids, traitors of their Pact, who commanded legions of witches and warriors to overtake the Elder people and all that they secreted away in their legendary homeland.

    The battle between the invaders and the defenders of Faerie lasted for several months. At first, the fey were confused and did not wish to cause undue harm to their younger brethen, and fought only defensively. As such, it seemed as though the humans would be successful in their siege . . . until the final flame was lit and the power of Hell itself seemed to unfold from the throne.

    Vespertina ventured into Faerie to find Kadmon, to assure each other of their safety, and attempt to ease the conflict. Kadmon and Rhea were sheltering their children in the sacred citadel, and in the haze of battle, Vespertina echoed her earlier sin by accidently making way for the invaders to enter the palace, as they followed her through the secret passage she used to meet with Kadmon. The leaders of the horde stormed the throne and kidnapped the prince and princess Jari and Jubelon.

    As this transpired, Rhea came to know the truth of the matter. Her children stolen, her husband having given his love to another, and witnessing the folly of Vespertina in creating opportunity for the siege, Rhea was transformed into a figure of might and rage as yet unseen in all the annals of lore, even in the faces of the Betrayers. It is believed she overpowered her supplicant husband and banished him to an unknown fate, either of imprisonment or disempowerment. Vespertina may have been killed, though she could also have been sealed away or cast to some other vengeance. Rhea Hecate rose in nightmarish glory over the battlefield and laid waste to the invader's forces. More terrible than demon or dragon, she was like a great caucophony of heat, sound, light, and fury, a storm of such dread that even beheld at a distance it could quail the heart of the observer with overwhelming horror. The phalanx of fey were like bolts of lightning among the storm, and they savaged the attacking army with such virulence that the very earth was scorched bare. Rhea was as something mindless and animated by violence, shattering the wind with uncontrollable force. The remainder of the invaders fled as swiftly as possible, but the damage had been done. Kadmon was gone, and Rhea had been changed entirely into something wild and elemental, scouring the heights and depths for her lost children. Her passion unleashed a storm so fierce that even today its winds warp the skies of Earth. She appeared to have been splintered apart, broken and mad, by a rift of grief and outrage that would not be healed.

    At last, the Knights of the Royal Court found and rescued the prince and princess. They knew that Rhea was too far riven to hear of or understand calls for calm, and certainly would not recognize her children. The children were only babes, and the King and Queen were both gone. The children were transformed into changelings, given unassuming forms, and were delivered into the human world so that they might be safe. Only when they had both grown and were able to fathom what had transpired would it be possible for them to involve themselves and salvage Faerie. Let alone the world.

    The storm Rhea created washed into Earth and persisted for over a hundred years. It still gathers around the South Pole of the world as a malignant vortex of wind and lightning, giving birth to fearsome weather all over the planet. It is known as the Roaring Dance. Sylves from all corners of nature fight against the Dance's pull, but many succumb to it and become part of the gavotte, consumed by the mad throws of the gales, doomed to dance in unison with the wrath that spawned it. Globe wide, the fey began to turn on mankind. Those connected with Faerie, or those who evacuated, unleashed assault upon assault on the humans, driven by a vengeance that would not be slaked. Others who were not directly involved in the war were affected as though by ripples of chaos, becoming more and more feral. Some fey still behave rationally and act alongside humans, including the noble Pari, grieved by the chaos, and the ambiguous Selkies, who remain surprisingly disinterested in the conflict.

    With the rending of peace came the advent of two strange and powerful beings in the world - the malefic and puissant fey sorceress naming herself simply Hecate; and the mysterious and terrifying entity known only as the Howler. It is believed that Hecate is the shadow of the old Rhea, all that remains of her consciousness, the residue of her spite and wrath towards humans for bereaving her of her husband and her children. Hecate began to slowly appear more and more often, laying sadistic curses over the peoples of the land, proclaiming herself the Hangman of Faerie, set with the task of appeasing the immense woe rotting the heart of the Earth by meting out punishment upon the humans.

    The Howler is not truly understood, but it manifests as a vast and potent force lurking in the abstract limbo between the world of matter and that of spirit. At first, druids began hearing the call of an ominous voice in their dreams, like the wailing torment of the bereaved, at once jarring like cries of rage. They believed it to be the spirit of the Earth crying out in pain as its thews were being uprooted. But soon, witches, prophets, dreamers, priests, and even common folk began to hear the call, and many of them were bereft of their wits by its grievous moans. Some people saw visions of a tremendous form looming across the horizon, blotting out the sun with an insidious fog, unfurling preternatural screams into the darkness that shook the stars from the sky like tears. As fear spread, more and more fell victim to sleep loss, night terrors, clairvoyant episodes, and gradual psychosis, becoming obsessed with images of the being they again and again named the Howler, clouding the heavens with unending night. Even while awake, sometimes whole cities would be beset by the very silhouette of the Howler, wailing through the gloaming at dusk and shrieking loudly, reaving peace from the inhabitants until its shadow finally faded into daylight. Some say that the Howler is the heart of Rhea, confined at the hellish eye of the Roaring Dance, sending her spirit out through the darkness, ever searching in vain for her son and daughter.

    Only those who are yet druids appear to be unaffected by the screams of the Howler. They hear them more acutely than any, and yet are not driven to distraction or horror because of it. This may be because they are merely more resistant to it, rather than immune, and eventually will succumb themselves. The druids still bear the aura of Faerie, and retain their peculiar powers. Over the century, new druids have been made by passing their teachings on to those able to understand them, even though the favor of Faerie has long since lost its meaning. Druids who once were peacemakers now act as vigilantes who defend their fellow humans from attacks of the fey. It is because of their insight and power that the humans were able to quell the fey's might and vanquish some of their armies in the mortal world. The druidic arts can ease the torment of the Howler's influence, though the effects seem to be weakening slowly over time as the power of the Howler waxes. Likewise, the Roaring Dance appears to only grow larger and more violent as decades pass, and eventually may lead to the destruction of all civilization, consuming every region of the Earth.

    The outrage of the fey and the menace of the Howler and Hecate are not the only consequences of the Sin. As the power of Faerie fell, and the order of it citizens dissolved, the ability of the fey to ward the Earth was all but eliminated. It was believed that the fey served to protect the Earth and humans against the evils that drifted in the outerworlds of the many heavens: demons, malign spirits, djinn, and even more perilous beings. And not least, the untethering of Betrayers. During the siege of Faerie, when Rhea demolished the attackers, it was seen that the four leaders of the attack faced the brunt of her might, and through some strange sequence they were cursed by a forbidden power. Their humanity was rent from them, and they, too, were changed into demons. They became the second generation of Betrayers. And as a reult, the imprisonment the King and Queen wrought for the Betrayers was undone. Their whereabouts are unknown, but many fear that they lie in hiding, nurturing the machinations of the newly awakened first Betrayers, plotting a scheme more vile even than the current disarray.

    It is no longer the age of the Pact, but is now the age of the Thorn, for the Earth itself has been bitten by its own virulence. It is the one-hundredth year of the Thorn.

    Druids continue to fight valiantly to preserve their race, but other powers are at work in the world now. Before the Rift and the Sin, humans had begun a New Birth of thought and exploration, expanding their understanding of nature and their prowess with magic and technology. Some believe that it contributed to Rhea's madness and grief that humans were coming to show slackened reliance on the fey's benevolence and developed societies and sciences that seemed to subvert nature rather than balance with it. After the Rift, the druids were the champions of mankind, but more and more people fell back on new magic, and as the defenses of humans grew more stalwart, they built up security in their own power. Great academies sprang up, throngs of inventors and investigators, magicians and occultists, rallying to solve the problem of the fey, and benefiting from their tremendous advancements. Thinkers in such circles announced that it would not be druidry that would triumph over the fey and the Dance, but command over nature through technology and magic.

    Independent, caballistic covens grew in frequency and popularity as people gathered towards sorcery to further themselves. A powerful and striking coven rose to power in northern [], a collective league of witches calling themselves the Court of Rhadamanthus. They meet as a secret order, and communicate through signals and letters stamped with their mark, the image of a burning flower in red ink. They call themselves such in honor of the mythical figure Rhadamanthus, lord over fire, symbol of intelligence, knowledge, power, and the cleansing of the old and the decayed.

    The Court of Rhadamanthus seeks to not only thwart the fey, but to once again gain access to Faerie, and finally claim whatever lay hidden there. And in the secret workings of their cabal, they have designs to reach the Betrayers, and subvert even them in their quest to gain mastery, to factualize humans as the dominant force on the Earth, perhaps even in regions beyond. The extents to which the Court of Rhadamanthus are willing to go for the sake of their goals have not yet been revealed.
    0
  • Like Water Warps Wood

    • By Mamelon Apr 17, 2007
    • Category IconLitte Jar of Mamelon
    • 2
    This is a stream of consciousness entry. If you're uncomfortable reading about the negative emotions of others, I suggest you not read the following.
    I have been feeling extremely lowly recently.

    2007 has brought a lot of good things to my life. I've had a change in occupation and changes in my activities and habits, and I've met some new people, all of which have contributed to relaxing some of the stressors I'd been living under. This has greatly improved my outlook on life, and also afforded me time and opportunity to turn my attention to some . . . deeper things, issues of mine, that begin to feel more and more pressing as my other crises alleviate.

    Every day is another grain in the glass. I think I am becoming obsessed with it. I feel as though I'm getting my real start on life a few years later than most might. While that probably isn't a huge deal, objectively, to me it seems tremendous. How could I have wasted so much time?
    And I can't avoid the realization that this sensation arises from something that has come to bear an intense urgency over me.

    Since joining this site, I've come to know what it's like to be fully accepted as a female member of the community, without question and with relatively little awkwardness. As Mamelon, I've been outspoken, educational, warm, open, relaxed, and authentic. People have treated me like a real friend, or mistreated me, or learned from me, or eventually grew to dislike me, or had something to teach me. But in any case, it's almost all been based on my real personality, that which I chose to express. Even if it was "only" my online persona, I felt like I was getting to act like my sincere self for practically the first time ever. It probably sounds pathetic to some, but the truth is that it's been more than I ever hoped for. This has been extremely enlightening for me, especially in helping me realize what I really want.

    But it's also been very cruel, as I have just come to see how likely it is that none of this will be mine in real life.

    Probably like most people, I have always had my doubts about passing. However, I don't think I have tended to give it much detailed thought, because I think I always viewed "transition" as a glittering ideal, some far off possibility that could happen, but that I always assumed bever really would. That seems like the kind of thing that happens to other people, not to me. I think I figured that I was just too young for it to be important yet. I didn't have to think about it. All of the complications, the anxieties, the fears, dangers, pain, memories, desires, choices, sacrifices . . . all of them were things I felt I could safely put off for another day.

    But as time passes, I become excrutiatingly aware that I just can't make this excuse anymore. Twenty-three is fairly young for a transsexual to go through transition - but twenty-two is better. Twenty-one, even better. That seems so long ago.

    I'm seeing just how much I'd have to do to get started, even if I took my first step today. But there are two connected issues that make the situation even worse, which I really hadn't considered until, well, last night.

    Finances, and the place I live.

    Superficially, the only expenses I'd really have to worry about would be the cost of hormone therapy and fees for doctors and counseling. However, there are also changes in lifestyle that need to be made, from new clothes (or at least newer clothes - I dress pretty androgynously now), to tertiary treatments, to change in location.
    And there's always the concern that I might lose my job if I came out as transgender. I don't think Ohio has any laws against discriminating on the basis of gender identity (though my employer might have policies against it). And if I do lose it, I doubt I could find another one locally. That could not only bring to a halt the transition process (I need money for it), but it would cause huge problems in my life as a whole. I mean, I have bills to pay.

    Attending school or moving could both possibly fix that problem. However, I'm not sure if one is feasible at the moment, and if it is, I don't know how much it would help. I've always wanted to go to college, and there might be such an option as grants for transgender students. But that's a big if. And moving right now is not an option. We just don't have the money. If we got a new vehicle, and starting looking diligently for jobs in other towns, and found a house or apartment, it could work. But right now, those are also big ifs.

    What I'm finding out is that even if I decide to start completely transitioning - right now, today - there is a good possibility that I wouldn't be able to really do so for years to come. Three years has made a big difference - three more would be even bigger. I wonder if, by then, I could have given up.

    I already wanted to give up once, five years ago. Last year is when I started wanting to get back up, try again, see what happened, give happiness a shot one more time. But there are some things that are just bigger than me. This is bigger than me. I feel like I'm caught in some sadistic trap.
    I already know I can't do it alone. Not only do I just need people in my life, but much of what would happen would rely on the beneficence and support of others, including my family, friends, possible employers, etc. That's a very scary reality to face considering how maligned transgender people often are, especially in certain parts of the country.

    What makes this all the more painful is that a gender transition isn't . . . an option, a possibility, a neat thought, an alternative lifestyle. It's not something "I'm thinking about." It's not something "I might like." I honestly feel like it's something that I need. It'd be more like a correction, a medical treatment. Right now, I am miserable, and it's going to stay that way unless something major changes. This controls my life way more than it should, and it's sad. This needs to change. I need to change.

    But I might not be able to. I really don't want to become a tragedy. A could-have-been who's torn and unhappy for the rest of her life. But . . . what if I don't have a choice?
    2
  • I'm havin' a vision about ya

    • By Mamelon Apr 12, 2007
    • Category IconLitte Jar of Mamelon
    • 0
    I'm looking forward to Future Sight. Out of the three sets in the Time Spiral block, Future Sight is the one I've most anticipated. Both because Future Sight, the set's namesake, is one my favorite all-time cards, and because the set oriented with the future is the most interesting to me.
    One card I think is very promising is Linessa, Zephyr-Mage. Ignoring her Grandeur ability, she appears to be a less powerful version of Temporal Adept. However, if you possess other copies of the card, she can sweep up an opponent's board with an admirable efficiency. If you are able to draw/tutor multiples or recur cards, you can regularly push back your opponent's development by sending a handful of permanents floating back to where they came from every turn or so.

    The fact that you can employ Grandeur at instant speed is appealing, and you can still use Linessa's other activated ability. All of the Grandeur cards seem to be full of potential. I'm very interested in them, including the white and black ones which have been discovered.

    Another card which appears very cool and unique, and yet is somewhat low-key right now, is Arcanum Wings. Aura swap looks to be a very exciting ability. The ability to get out any Aura in your hand for a 2U activation (turn three, at the soonest, barring acceleration) is not a weak ability. Especially if there another card with Aura swap, this looks like it could have a solid place in a deck using a lot of powerful or versatile Auras, perhaps alongside Simic Guildmage.

    Spellweaver Volute has some obvious potential. You can only replay your instants at sorcery speed, which means that it's ineffective to recur counterspells, but for many instants, that's a perfectly acceptable drawback. You can even replay a Remand on your own sorcery to draw a card, in a pinch. What's nice is that you can reuse these instants for no additional mana cost aside the original 3UU investment. Playing sorcery cards as you normally would can hardly be viewed as a drawback. And one aspect of this card that I think is easy to miss, but very significant, is that it can enchant an instant card in any graveyard - not merely your own.

    Blade of the Sixth Pride is comparable, I think, to a higher order Savannah Lions. It's power is one point higher than mana cost, and it's still a low cost aggro creature. That should probably be a card which will see play.

    The quality of blue bounce and library manipulation in this set is enticing. I love both such effects, and there are numerous choices including the aforementioned Linessa, Venser, and all of the various scry cards to choose from. It looks like I'm going to have a lot of resources with which to build a new, enjoyable deck. Spin into Myth, despite its considerable mana cost, seems promising. That operates not only as solid blue instant speed creature removal, but a way to influence your opponent's draws simultaneously.

    I definitely want copies of Magus the Future. Magus of the Moat is an exciting card to see print, though perhaps less powerful than Moat (and rightly so). Magus of the Moon is probably much better than it looks, as is Magus of the Vineyard. I'm very curious about what the black one will be.

    And from the look of things, the lands in this set will be very potent and desirable. Already we've seen a trend of impressive dual lands and single color producing lands with other useful abilities. As important as land is, this spells fun to me.

    In closing, I greatly appreciate what I'm seeing in the rumors and spoilers. I understand why others are apprehensive about this set, but I predict it should be fun and full of goodies. Here we come, future! And it appears to be a pleasing one.
    0
  • In the League: Ixidor's Legacy

    • By Mamelon Feb 19, 2007
    • Category IconLitte Jar of Mamelon
    • 3
    So, I joined the Magic Coffeehouse Preconstructed Deck League. I've decided to play Ixidor's Legacy. This is an unusual mono-blue deck that is packed to the gills with shapeshifters and kill. Here is the list:

    DeckMagic OnlineOCTGN2ApprenticeBuy These Cards
    Lands
    23 Island
    1 Desert

    Creatures
    2 Coral Trickster
    2 Dream Stalker
    3 Fathom Seer
    2 Riptide Pilferer
    1 Willbender
    1 Merfolk Thaumaturgist
    1 Ovinomancer
    2 Tidewalker
    1 Serendib Sorcerer
    2 Shaper Parasite
    1 Crookclaw Transmuter
    2 Fledgling Mawcor
    2 Primal Plasma
    2 Aquamorph Entity
    1 Aeon Chronicler
    1 Jodah's Avenger
    1 Brine Elemental
    1 Slipstream Serpent

    Spells
    1 Piracy Charm
    1 Pongify
    2 Unstable Mutation
    2 Ovinize
    2 Erratic Mutation



    I see some potential; this deck could go in a number of ways. There are some cards in the list that jump out as being fundamentally strong - Brine Elemental, Jodah's Avenger, Willbender, and Tidewalker. But there are some that I've seen to be very deceptively good in play. Shaper Parasite, so far, has been kind of an all-star.

    This deck features a wide range of creature removal, unusual in blue. Piracy Charm is probably better than it looks for killing off weenies, and adding damage later on in the game. Pongify seems a mixed bag, as do Ovinize and Erratic Mutation. All of the cards are reminiscent of classic blue spells like Unsummon - lots of versatility. A surprisingly effective little bugger is Primal Plasma. The ability to get a good blocker or an evasive attack at will is lovely. It is effectively a charm incarnated in creature form.

    Looking at some of the deck's themes, I sense some tension. There are choices for medium-quick utility weenies like Riptide Pilferer and Coral Trickster, and there is the bomb-ish Unstable Mutation. However, there seems to be a heavy streak of control - blockers like Fathom Seer and Dream Stalker, removal like Ovinize and Pongify, and morphers that encourage you to hold back mana for abilities. Some of the deck's acrobatic creatures, like Primal Plasma and Aquamorph Entity, suggest to me that the deck is meant to be able to switch between aggression and control. I'll see how that turns out.

    A neat, obvious, but somewhat minor theme is using Dream Stalker to reuse morph abilities, reset cards like Aquamorph Entity and Primal Plasma, or recoup Tidewalker.

    There is also a faint smattering of discard. The blue discard seems a bit weak; Pilferer is capable of generating good card advantage, but it lacks the usefulness of netting you actual cards that you can play. Fathom Seer is obviously useful; but as for Venarian Glimmer and Pilferer, I'm not so sure. We'll see for now.

    Possible future candidates include Reality Acid and Dismal Failure. I will probably swap in Repeal for something.

    Well, that sounds like a good start. See y'all later!
    3
  • Cherubino boy

    • By Mamelon Feb 18, 2007
    • Category IconLitte Jar of Mamelon
    • 3
    Loneliness has always been an aspect of my life. Not a dominating one, necessarily. When I was little I had a number of friends or playmates that lived nearby, and had two siblings. So I seldom was without someone around while at home. At school, I had few friends, and disliked being around other children for the most part. Generally, I wasn't often truly alone. But I was often lonely, in spite of it.

    I've been realizing, in part, why this is. Among my friends and family is a diverse range of personalities. Many of these include colorful individuals who thrive on saucy humor; are creative; are temperamental, with deep feelings and passions; are stubborn; are verbose and expressive; are strong-willed and insightful.

    However, I often feel like few of my intimates are really very similar to me. It's not just a question of being understood; some of my closer family and friends seem to understand me well enough, and I, them. More often, I think it's a question of not having many people near me who share a lot of my interests, values, and goals. One would imagine that this would not be the case. But it is, for some reason.

    I share traits in common with my circle of people, but there are a lot of differences, too. I have met very, very few people of whom I can truly say "S/he is a lot like me." I'm sure this is true of the others in my life; I don't mean to single myself as being very especially unique or at odds.

    I do tend to be at odds, though, I feel. Even my brother and I like to discuss a lot of the same things, and he is probably one of few people in my life I can say is really close to me, there are a wealth of topics, interests, and personal affairs that I feel I cannot discuss with him. Well, less that I cannot, but more that we do not happen to share that interest or problem, and thus just tend not to bring it up. This is no fault of his, and assuredly true in his case, as well.

    I accept, and anticipate, that there should always be some lack of overlap; some disparity of feeling and experience, as we are all inevitably unique creatures. However, I find myself wishing quite frequently, usually in the silence of my heart, that I knew someone who was more like me; who would want to talk about some of those things I wish to share with someone, but cannot. Someone who cry over the same things I cry over, have many of the same views and morals I have, and better understand my somewhat unusual position in society. Someone who read many of the same books; had similar musical tastes to me; so on in this fashion.

    (I'm not saying I want a clone; I would hope this theoretical person would also broaden my horizons, have his or her own special interests, and teach me a few things.)

    I think the matter may more aptly come down to some special areas I have in mind, areas in which I feel more alone than normal, or more in need than normal. I just wish I didn't feel quite so odd compared to other people.

    I have always been squeamish when it comes to interacting with strangers, fellow students or co-workers, or other members of society as a whole. I always feel so out of place, and very vulnerable, as if I were standing out. I become very aware of my own ugliness, my own weirdness. I feel at self-conscious and yet frayed at the edges, like I might lose whatever grasp I have on myself if I stay outside too long. I feel at once both too distinct and not distinct enough.

    Sure, part of this has to do with having gender dysphoria - much of our social identity is formed by our gender. Since I am in something of an ill-defined place in that regard, I am left with either a social label that doesn't make sense (or that I just hate in general), or with nowhere to stand at all.

    We shape our own identity, but the little secret is that part of identity is decided by others. As we move through the currents of life, it is as though we are being gifted with parts, components, layers, faces, images, qualities - and we absorbed these into ourselves as we may. Every entity such as we are has multiple facets to our identity; some of these facets are reflections of how we perceive others perceiving us. Gender, age, race, tone of voice, diction, choice of activities, manner of dress, apparent personality traits - all of these influence we are, as a whole. Some of these we can control directly, some we cannot.

    I feel mismatched; incongruent, like I am either missing some layers, or have the wrong ones. I am forged of many unlike elements, which still boil and brew together in quicksilver and in chaos. I feel like I'm constantly in disguise; like the way people tend to view is me is grossly different from the person I see inside myself, the person I am trying to be, the person I want to be. I feel an impostor, merely acting a part even when I am trying very hard to be sincere.

    I often have the experience in which it is as though I am possessed by an alien spirit who commandeers my voice, my movements, my expressions, and uses them to its own ends. When I speak, I wonder if it is myself speaking. When I glance in the mirror, I wonder who I am seeing.

    Typically, I stay in my private environment, the world I construct for myself. I usually take it a step further; I have a very rich and complex fantasy life, a world within me, and I feel that I am more at home there than I am in the outside world. It is the place I feel sane. It is the place I feel myself. It is the place I feel understood. It is place where I feel like I understand things, where I'm not being controlled or distorted or confused.

    When I am depressed, I can usually tell by the fact that I am spending more time in reverie than normal.

    For a long time, I figured that this was the way life would be for me. But I'm trying to change that. I really am. It's difficult, but I feel like I've made a lot of progress. I am "out" more, making efforts to get to know my co-workers, and trying to relax about the fact that they will most probably never get to know me. I am trying to teach myself to want that, to be okay with being outside. For literal years I rarely even so much as left my own house, let alone my internal space. But I don't want to live that way anymore. It's just as bad.

    I've learned I don't have to choose; the two worlds can make friends. I can bring them together in some ways, so that I do not feel desperate to retreat so often. I bring a little of my real self with me when I go out into the noise and the confusion. Maybe eventually I will figure out how to bring it all out. Slowly, very slowly, I'm building a bridge. Eventually, somebody will be able to cross it.

    That thought is immediately relieving, exciting, and frightening. But ultimately, it is how I will become free. Free of my prison made of one-way glass, through which I can see outward, but no other can penentrate to the interior. In some ways it is safer this way, as a prison often is. But it's not better.

    I'm not sure at what point, along the way, that I decided that I wanted to be free. I think there is some strong, wise, hidden part of me that brought it about, made it clear. I'm very glad that it did; because though I am afraid, as always, I feel I know myself better now than I ever have. And the pain seems to have less power over me than it once had.

    Nothing remains locked forever.
    3
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