These are great! I'm surprised you found so many solid opportunities for reprints. The new cards look very exciting, I'm especially in love with Volatile Explosive.
Have you had a chance to play with these at all yet? I'd be very interested in hearing how that goes/went.
In this episode of Cardography I talk to my long-time friend Mohammad about some of his game projects and how designers should manage variance within their games.
There are plenty of great ideas out there, and Humans vs Zombies seems really easy to pitch. Both have decent representation within Magic, which helps inform their tribal identities.
I could definitely add a section to the primer of potential starting points, like Humans vs Zombies or Pirates vs Ninjas etc. Any additional suggestions for themes would be useful.
Reserving this next post for any additional references, and to make notes that aren't directly a part of the primer. I am quite open to editing and growing the primer based on community feedback.
Here are some potential discussion topics to get things started:
If you've tried designing duel decks, what worked or didn't work for you?
If you haven't tried designing duel decks, what questions do you have that aren't covered (yet) in the primer?
Introduction
There are countless formats and ways to play Magic: The Gathering, and there are just as many different ways to participate in amateur/custom magic design. Some people enjoy designing single cards. Some people enjoy participating in design challenges. Many embark on the journey of creating an entire custom set. But strangely, few custom designers focus their energy on creating one of the best tools to develop design skills: the Duel Deck.
Why should I design a duel deck?
There are several obvious answers that apply to all of custom magic design, but let’s talk specifics about the advantages you get by designing duel decks. Since I love lists, here are four good reasons you should consider designing a duel deck as your next project:
Duel Decks focus your designs.
You don’t have to worry about supporting various or multiple archetypes when designing for a duel deck - you’re only concerned with designing to create synergies for the specific decks in mind. This also allows you more freedom to think of various ways to create synergies that you may have missed doing a larger project.
Duel Decks are a small body of work.
While designing a full 200+ card set is quite a daunting task, duel decks require only around 72 card slots on average, with reasonable opportunity for single designs to occupy multiple slots. This makes the step of actual card design a much faster process.
Duel Decks are immediately testable.
As soon as you’ve completed design for a duel deck, you have a game you can try out right away. There are no logistical hurdles like creating a sealed pool or finding a drafting solution, or dealing with people’s hesitance toward deckbuilding. It’s as simple as finding another player and handing them a deck, or goldfishing against yourself if you can’t wait.
Duel Decks provide many of the design lessons of a large set.
Reading about custom magic is a great way to become a better designer, but some lessons you have to learn through experience. Things like editing down your designs to fit in the appropriate card slots, or balancing a selection of cards with varying power level, or finding a healthy mix of mechanics are all things that require deliberate practice. While those skills can be improved upon by doing set design, duel decks allow for much more rapid turnaround on those same skillsets.
Okay, I want to make a duel deck. How do I do that?
Like designing a set, there are many ways to begin a duel deck project. Whether top-down or bottom-up, you want to start with some kind of inspiration. Maybe your favorite movie is Underworld and you want to design a duel deck around Vampires versus Werewolves, or maybe you want to explore the design space of some cool custom mechanics you or another designer has come up with. Find what your inspiration is, identify what kind of gameplay experience you want your duel decks to provide, and write it down in the form of a design goal. By the time you’ve finished your project, you should be able to say that your design accomplishes the goal you identified here.
Next, you’ll want to look at possible skeletons for your decks. Most of the time, you’ll want to identify the broad strokes of around 36 cards that will comprise the nonland cards in each deck. Each project is different, but unless there’s a specific reason not to, I recommend having around 22 of those slots populated with creatures and the remaining 14 slots filled with noncreature spells. If you’re using Magic Set Editor, create two card files with 36 slots each. In the notes section jot down if a card is meant to be a small, medium or large creature, a spell, or any other identifying features or roles you want that card to fulfill.
Do some brainstorming to figure out what kind of mechanics you want to include in your decks if you haven’t already. Some mechanics want to show up in higher frequencies than others, so try to aim for the frequency that you think is correct. Don’t worry too much about frequency though - one of the advantages of duel decks is that you can iterate and change them much more rapidly than larger projects. It’s also worth noting that you don’t need to have named mechanics at this stage, so long as you know what kinds of themes your cards are encouraging.
Once you have your design goal, deck skeletons, and mechanics, you’re ready to do the fun part - designing some cards! Keep in mind that Wizard’s duel decks formula uses 1 mythic rare, 5 rares, 11 uncommons, and 19 commons. As always, you don’t have to follow this structure if you have a reason to break away from it, but it’s a good starting point to balance between complexity and power.
Hurray, I made my decks. What now?
Now you get to do what typically takes a large set design year(s) to get to - playtesting! One of the best ways to develop your skills as a designer is to see how your designs actually play out on the battlefield. There are several ways to accomplish this feat.
Paper playtest with a friend.
Print out the card images of your designs, cut them out, and sleeve them over some junk cards. You can bring these decks to a friend, or to your LGS to see if anyone has some spare time to play a game or two.
Online playtest over Cockatrice.
Create a package of card images and a cockatrice set .xml file of the cards in your decks. You might have trouble with special characters, but there are additional resources available that can help walk you through this solution. Once you have your decks in Cockatrice, finding another player to play them against you is the last step.
Solo Testing.
This method is nice in that it doesn’t rely on having to find another person, but it does limit the type of feedback you get about your project. Getting fresh eyes on your cards is really useful, but you can still learn a lot just by playing both sides of the matchup and seeing how the cards interact in-game. A lot of the time, mechanics or cards will surprise you!
When you playtest, there are a lot of things to look for. The most basic of which are:
What was really fun?
What was actively not fun?
What was boring?
It’s also important to keep your design goal at the forefront when playtesting. If you want your Vampires versus Werewolves decks to be gritty, you want to know if your playtesters find them corny instead.
Running a playtest and getting the right feedback is an important design skill in itself, so don’t be afraid to play around with how you playtest or gather feedback. Find what works for you.
Where do I go from here?
Once you accomplish your design goal, there are a few different “next steps” you can consider. There’s always the option of creating a new set of duel decks using the lessons you learned to make an even better result the next time around. If you feel like you’ve struck gold, you can also look into expanding your duel deck into a full fledged set. No matter what you do from there, you can and should continue to enjoy and play the decks you created. It’s an awesome achievement - within the Magic game engine you’ve created a brand new game!
About the Author
Jake "Piar" Mosby has been involved with various custom magic communities since the second Great Designer Search. He's facilitated several community projects including MTGSalvation's monthly "You Make The Card" contests. Beyond several personal custom magic projects, he recently started designing other board games as well. He hosts the custom magic podcast Cardography, which is available on iTunes and SoundCloud.
In this episode Reuben Covington joins me to discuss the major steps it takes to bring a project from start to finish, using his sets Dreamscape and Tesla as examples and learning experiences. www.custommagic.space/
remakingmagic.libsyn.com/
Guest Details:
Reuben Covington, Doombringer on MTGSalvation, Reuben on Discord
Initial Assessment
Conspiracy (Start the game with this conspiracy face up in the command zone.)
At the beginning of the first upkeep, investigate. (Put a colorless Clue artifact token onto the battlefield with "2, Sacrifice this artifact: Draw a card.")
Flatline, FirstTurnManaBurn (Start of the month is always hard to vote)
Ghost-Council's JudgmentWB
Instant (C)
Choose one -
• Target creature gets +2/+2 until end of turn.
• Target creature gets -2/-2 until end of turn. All who are judged know what their verdict will be.
Blind Leading the Blind2U
Instant (C)
Target creature an opponent controls gets -4/-0 until end of turn. Each other creature that player controls gets -2/-0 until end of turn.
Good idea, I've updated the OP to include a link to the set page. At present only the commons are posted, but I've been keeping up with Pyrefiend and it seems like updates will be coming sometime soon.
In this episode I talk with Pyrefiend about the implementation of purple mana in his set Kalitoth, and about how custom magic designers can use color pie philosophies as a design tool.
701.3b If an effect tries to attach an Aura, Equipment, or Fortification to an object it can’t be attached to, the Aura, Equipment, or Fortification doesn’t move. If an effect tries to attach an Aura, Equipment, or Fortification to the object it’s already attached to, the effect does nothing. If an effect tries to attach an object that isn’t an Aura, Equipment, or Fortification to another object or player, the effect does nothing and the first object doesn’t move.
Because Linger's effect causes the card to "stop being an aura" and "loses its enchant ability" the rules will only see it as a non-aura, and thus prevent it from being attached to another permanent, in addition to having no permanent types specified that it might be attached to. Phoenix Boon would need an additional clause to give it back its Aura subtype and its enchant ability in order to reattach without leaving the battlefield.
Thanks for finding a relevant rule. I believe this concern can be alleviated by changing the wording from "if" to "as long as" - this would preserve the possibility to reattach since it does actually become an aura again.
The general concept is solid and grockable. My only gripe is the word "Linger". It lacks pizzazz.
Agreed, I just can't think of a splashier name for it. Maybe doing some more focused worldbuilding would produce some workable name ideas. In the meantime, have more!
Calming GlowW
Enchantment - Aura (C)
Linger (This stops being an Aura and loses its enchant ability as long as it's not attached to a permanent.)
Enchant permanent
Whenever a permanent you control that's enchanted becomes tapped, gain 1 life.
Animated Plot2G
Enchantment - Aura (R)
Linger (This stops being an Aura and loses its enchant ability as long as it's not attached to a permanent.)
Enchant land 1G: Animated Plot or enchanted land becomes a 4/4 Elemental creature until end of turn. It's still its other types.
Succumb to Ruin3B
Enchantment - Aura (U)
Linger (This stops being an Aura and loses its enchant ability as long as it's not attached to a permanent.)
Enchant creature or land
Whenever a creature or land that's enchanted by an Aura you control becomes tapped, you may destroy that permanent.
Have you had a chance to play with these at all yet? I'd be very interested in hearing how that goes/went.
In this episode of Cardography I talk to my long-time friend Mohammad about some of his game projects and how designers should manage variance within their games.
Guest Details:
FzGhoul
Podcast contact details:
Jake Mosby aka Piar
Email: CardographyCast@gmail.com
I could definitely add a section to the primer of potential starting points, like Humans vs Zombies or Pirates vs Ninjas etc. Any additional suggestions for themes would be useful.
Wingardium Leviosa U
Sorcery (C)
Target creature gains flying until end of turn.
Draw a card.
Here are some potential discussion topics to get things started:
Introduction
There are countless formats and ways to play Magic: The Gathering, and there are just as many different ways to participate in amateur/custom magic design. Some people enjoy designing single cards. Some people enjoy participating in design challenges. Many embark on the journey of creating an entire custom set. But strangely, few custom designers focus their energy on creating one of the best tools to develop design skills: the Duel Deck.
Why should I design a duel deck?
There are several obvious answers that apply to all of custom magic design, but let’s talk specifics about the advantages you get by designing duel decks. Since I love lists, here are four good reasons you should consider designing a duel deck as your next project:
Okay, I want to make a duel deck. How do I do that?
Like designing a set, there are many ways to begin a duel deck project. Whether top-down or bottom-up, you want to start with some kind of inspiration. Maybe your favorite movie is Underworld and you want to design a duel deck around Vampires versus Werewolves, or maybe you want to explore the design space of some cool custom mechanics you or another designer has come up with. Find what your inspiration is, identify what kind of gameplay experience you want your duel decks to provide, and write it down in the form of a design goal. By the time you’ve finished your project, you should be able to say that your design accomplishes the goal you identified here.
Next, you’ll want to look at possible skeletons for your decks. Most of the time, you’ll want to identify the broad strokes of around 36 cards that will comprise the nonland cards in each deck. Each project is different, but unless there’s a specific reason not to, I recommend having around 22 of those slots populated with creatures and the remaining 14 slots filled with noncreature spells. If you’re using Magic Set Editor, create two card files with 36 slots each. In the notes section jot down if a card is meant to be a small, medium or large creature, a spell, or any other identifying features or roles you want that card to fulfill.
Do some brainstorming to figure out what kind of mechanics you want to include in your decks if you haven’t already. Some mechanics want to show up in higher frequencies than others, so try to aim for the frequency that you think is correct. Don’t worry too much about frequency though - one of the advantages of duel decks is that you can iterate and change them much more rapidly than larger projects. It’s also worth noting that you don’t need to have named mechanics at this stage, so long as you know what kinds of themes your cards are encouraging.
Once you have your design goal, deck skeletons, and mechanics, you’re ready to do the fun part - designing some cards! Keep in mind that Wizard’s duel decks formula uses 1 mythic rare, 5 rares, 11 uncommons, and 19 commons. As always, you don’t have to follow this structure if you have a reason to break away from it, but it’s a good starting point to balance between complexity and power.
Hurray, I made my decks. What now?
Now you get to do what typically takes a large set design year(s) to get to - playtesting! One of the best ways to develop your skills as a designer is to see how your designs actually play out on the battlefield. There are several ways to accomplish this feat.
Paper playtest with a friend.
Print out the card images of your designs, cut them out, and sleeve them over some junk cards. You can bring these decks to a friend, or to your LGS to see if anyone has some spare time to play a game or two.
Online playtest over Cockatrice.
Create a package of card images and a cockatrice set .xml file of the cards in your decks. You might have trouble with special characters, but there are additional resources available that can help walk you through this solution. Once you have your decks in Cockatrice, finding another player to play them against you is the last step.
Solo Testing.
This method is nice in that it doesn’t rely on having to find another person, but it does limit the type of feedback you get about your project. Getting fresh eyes on your cards is really useful, but you can still learn a lot just by playing both sides of the matchup and seeing how the cards interact in-game. A lot of the time, mechanics or cards will surprise you!
When you playtest, there are a lot of things to look for. The most basic of which are:
What was really fun?
What was actively not fun?
What was boring?
It’s also important to keep your design goal at the forefront when playtesting. If you want your Vampires versus Werewolves decks to be gritty, you want to know if your playtesters find them corny instead.
Running a playtest and getting the right feedback is an important design skill in itself, so don’t be afraid to play around with how you playtest or gather feedback. Find what works for you.
Where do I go from here?
Once you accomplish your design goal, there are a few different “next steps” you can consider. There’s always the option of creating a new set of duel decks using the lessons you learned to make an even better result the next time around. If you feel like you’ve struck gold, you can also look into expanding your duel deck into a full fledged set. No matter what you do from there, you can and should continue to enjoy and play the decks you created. It’s an awesome achievement - within the Magic game engine you’ve created a brand new game!
About the Author
Jake "Piar" Mosby has been involved with various custom magic communities since the second Great Designer Search. He's facilitated several community projects including MTGSalvation's monthly "You Make The Card" contests. Beyond several personal custom magic projects, he recently started designing other board games as well. He hosts the custom magic podcast Cardography, which is available on iTunes and SoundCloud.
Barbecube and I discuss his designs for Ushana and some strategies for developing mechanical synergy in your games.
Guest Details:
Barbecube on Discord, Willows on MTGSalvation
Podcast contact details:
Jake Mosby aka Piar
Email: CardographyCast@gmail.com
In this episode Reuben Covington joins me to discuss the major steps it takes to bring a project from start to finish, using his sets Dreamscape and Tesla as examples and learning experiences.
www.custommagic.space/
remakingmagic.libsyn.com/
Guest Details:
Reuben Covington, Doombringer on MTGSalvation, Reuben on Discord
Podcast contact details:
Jake Mosby aka Piar
Email: CardographyCast@gmail.com
Initial Assessment
Conspiracy
(Start the game with this conspiracy face up in the command zone.)
At the beginning of the first upkeep, investigate. (Put a colorless Clue artifact token onto the battlefield with "2, Sacrifice this artifact: Draw a card.")
Ghost-Council's Judgment WB
Instant (C)
Choose one -
• Target creature gets +2/+2 until end of turn.
• Target creature gets -2/-2 until end of turn.
All who are judged know what their verdict will be.
Blind Leading the Blind 2U
Instant (C)
Target creature an opponent controls gets -4/-0 until end of turn. Each other creature that player controls gets -2/-0 until end of turn.
In this episode I talk with Pyrefiend about the implementation of purple mana in his set Kalitoth, and about how custom magic designers can use color pie philosophies as a design tool.
Guest Details:
Dan Pallies aka Pyrefiend on reddit and discord.
Kalitoth spoiler can be found here.
Podcast contact details:
Jake Mosby aka Piar
Email: CardographyCast@gmail.com
In this episode I talk with Trevor aka Foo_InTheRain about his latest project Clockwork, and about finding the fun for players and designers alike.
Guest Details:
Trevor aka foo_intherain on MTGSalvation and reddit.
Podcast contact details:
Jake Mosby aka Piar
Email: CardographyCast@gmail.com
Calming Glow W
Enchantment - Aura (C)
Linger (This stops being an Aura and loses its enchant ability as long as it's not attached to a permanent.)
Enchant permanent
Whenever a permanent you control that's enchanted becomes tapped, gain 1 life.
Animated Plot 2G
Enchantment - Aura (R)
Linger (This stops being an Aura and loses its enchant ability as long as it's not attached to a permanent.)
Enchant land
1G: Animated Plot or enchanted land becomes a 4/4 Elemental creature until end of turn. It's still its other types.
Succumb to Ruin 3B
Enchantment - Aura (U)
Linger (This stops being an Aura and loses its enchant ability as long as it's not attached to a permanent.)
Enchant creature or land
Whenever a creature or land that's enchanted by an Aura you control becomes tapped, you may destroy that permanent.