I just got through using these lessons to teach my foster kid. They don't have videos, but it's the best that I found in my searching. You'll learn all the basics as well as some higher level stuff, and they do have audio files to help you along. If you do one of these lessons + 1 hour of practice every week, you'll get pretty good pretty quickly. Good luck!
Clan name... I like playing off Valentine's Day, but could we work something with the leap year? Aurora likes jumping at least... I have no ideas, just brainstorming.
Artemis should definitely be a clockwork owl of some kind. I can machine the cogs and weld him all together if you want. I'm not sure about a power source though...
(Is that sort of what you're looking for? Should it be longer? Are we not allowed to just post the story to give everyone a better idea of what we're doing?)
Thanks. I'll look into it. Also, clockwork avian? Power source? POWER STONES FROM THE THRAN! (Really. Check the user:Syphon article on the MTGS wiki. I have a lot of experience with them)
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[I was permabanned and all I got to show for it was .... well, nothing.]
Clan name... I like playing off Valentine's Day, but could we work something with the leap year? Aurora likes jumping at least... I have no ideas, just brainstorming.
Artemis should definitely be a clockwork owl of some kind. I can machine the cogs and weld him all together if you want. I'm not sure about a power source though...
(Is that sort of what you're looking for? Should it be longer? Are we not allowed to just post the story to give everyone a better idea of what we're doing?)
Leap Year?
Chinese New Year?
Year of the Dragon?
Obviously, we've already had some Valentine's Day ideas.
I'm cool with anything.
Abby wanted to keep the story secret to just clan eyes as far as I could tell, but really anything you could write in first person could be incorporated.
If you want to see what she's written so far, you could PM either one of us. It's very open.
Thanks. I'll look into it. Also, clockwork avian? Power source? POWER STONES FROM THE THRAN! (Really. Check the user:Syphon article on the MTGS wiki. I have a lot of experience with them)
You can make power stones? If you can, that's great! Let's get this owl off the ground!
I wish! Would be very handy. And if I do get powerstone sickness, I'd get phyresis and simply become a Phyrexian. Freakin' A, that sounds awesome!
Edit: Just made two random cards as I am wont to do.
Supplicant of the Ur-Dragon
Creature - Dragon Cleric
Flying
Tap a dragon: Draw a card.
5/5 4UR
Moongrin Pack Seer
Creature - Dog Wizard
Whenever you play a Dog spell, untap ~.
Tap: Look at the top card of your library. You may put that card on the bottom of your library.
1/2 2UR
8/36. I got :00, :20, 2:20, 2:30, 3:15, 5:15, 6:30, and 6:45. I should have gotten 7:15 but couldn't remember the name. I got the right band at least, but the fact that the solo kept going on in my head to no conclusion should have been a tipoff.
I'm glad more answers in the quiz are being solved quickly and that more people are taking the quiz. 8/36 is a good score on an audio quiz!
(Best score so far as far as I know is 17/36.)
Oh, and yes, I picked a crazy section of that last song.
If I had to pick two hardest songs in the quiz... probably 4:30 and 6:15.
Valentine's Day? Why not Leap Day material? I love Leap Day, mostly for marking a year with Summer Olympics going on, but still!
So that thing I was working on... it went just over 3,500 words. But you have to understand, twenty courses at The French Laundry is a lot to talk about!
From the moment we arrived, a touch before 7pm, everyone was cordial at worst. We were invited to sit in the lounge, but were quickly interrupted "before [we] get too comfortable on the sofa" to be taken to our table - soon burdened by a tablet computing device (with a case to tastefully hide any logos) displaying their one-hundred eleven page wine list. The napkins were held by a clothespin bearing the restaurant's name, which staff removed before laying the napkins in our laps. After consulting their sommelier on the sparkling offered by the glass, I selected the Gaston Chiquet Blanc de Blancs (MV), and in short time we had the first food item before us.
Served in exceptionally tall champagne flutes, the drink was very light, clean, crisp, and smooth, but still managed to hold its ground against the first amuse-bouche: gougere. Traditionally - or at least, in my experience - gougere has its cheese cooked into the dough before baking, where this had a molten cave-aged gruyere center in a plain, impeccable pate-a-choux shell. A single bite, a few moments to savour its glowingly warm cheese excellence, and we had second amuse before us. Balanced on a metal plate supported above the table sat two little cones topped with pastel orange balls, looking every bit like tiny servings of ice cream - smoked salmon tartare coronets, filled with brandy creme fraiche. Al, who's grown weary of salmon over the years, was refreshed by this distillation of all that can be delightful in the fish. Deeply flavoured, paired with the lightening creme fraiche, and set to gentle spices in the cone; perfect. These signature openers completed, we moved on to the menu proper...
Our servers brought charming, squat, lidded cylinders to the table, resting on a stack of three plates, each broadly-rimmed with a houndstooth pattern. The lids were taken to reveal a shallow indentation in the cylinder, where varied fruit and vegetable rested - immediately to become the garnish beneath a parsnip-vanilla veloute. Parsnip happens to be my very favourite vegetable (barring the onion) and this was as wonderfully warm as parsnip ever could be, even paired with cool vanilla bean, speaking to the quality of the restaurant's own garden where most all the root vegetables and herbs are grown. Little can match parsnip's ability to make me sigh contentedly, but I fear that innate reaction will be diminished in the future save when it brings me back to a happy remembrance of this soup.
And then we were given mother of pearl spoons for The French Laundry's perennial "Oysters and Pearls". Again served on a stack of wide plates, four this time (we were told our meal would likely use some eighty dishes between us), we found ourselves with a small bowl of tapioca sabayon, upon which rested two small oysters and a sizeable portion of white sturgeon caviar. Our previous caviar experience comes from another Keller restaurant, Bouchon, which also serves white sturgeon, but this was more excellent yet. The more tender membranes were so gentle, transmitting their slight brine in sublime fashion, matching our now half-drunk champagne as remarkably as the perfectly assembled tapioca. The pair of oysters mingled in that briny flavour and brought a note of sweetness to the dish. Fantastic! And the spoons were enormous as caviar spoons go, being almost the size of a normal spoons, with beautiful curve.
Coming away from the caviar and tapioca, we were presented a single large spoon on (yes) a triple stack of plates, the bowl of which was completely filled with beautiful orbs of salmon roe, surrounded by butter and sprinkled with lime salt - quite the sight! All the flavours blended into one gorgeous taste upon breaking the eggs.
Next was something of a deconstructed sushi roll, presented as a small domed rectangle of rice with a layer of avocado, next to which sat a thin matching rectangle of lightly cooked sardine, its beautifully shimmering silver skin unmarred in preparation. Neither of us had had sardine before, and if this is what sardine ought to be we can see the appeal. Amazing, rich flavour dazzled our tongues as its flaky flesh yielding instantly to fork and tongue. The rice was expertly crafted, maintaining the shape with precision but without the need to grow sticky and despite the presence of rice vinegar. At this point there was no doubt that wizardry is afoot in their kitchen.
As if to confirm this, we were next given an egg resting in a short stand, its top end cut off. Inside sat a custard, infused with white truffle oil, covered by a black truffle ragout, and, rising up through the hole, a narrow bar of potato chip with a single green chive running a straight line perfectly centred along its length within. The hole was, naturally, just wide enough to allow the spoon to enter, and as much as it's over-used, silky smooth accurately describes the fineness of texture for the custard. Being late January, black truffle season was in full swing and this ragout demonstrated it fully; the white truffle didn't suffer for its season having just passed. As we progressed through the custard and had bites in full contact with the egg's shell, the flavour turned more significantly to an egg white, changing the composition again. Wonderful, in every way.
A small serving table was rolled next to us and our server produced two blackened balls, each perhaps slightly smaller than a golf ball. Taking up a carving knife, he opened what he explained was a thick coating of ash, as would be used in aging cheese, to reveal that each contained a truffle. The ash is to provide no escape for any of the truffle's essence as might otherwise leave the truffle while it cooked. He then cut our truffles, placed them with the accompanying elements waiting on the plate - compressed persimmon, beets, pistachios, and some herbs and blossoms. We'd not had unshaved truffle before, and its texture is incredible, firm, friable, but with a spring, and its flavour... beyond words. Compressed persimmon was an interesting experience, too, taking on structure very close to that of traditional fruit jellies. Quite the salad!
Here two large brandy glasses were placed before us, and we were presented our half-bottle of white wine, heralding our fish courses. I'd earlier asked the sommelier to select for us a half-bottle each red and white (within a set budget), citing our inexperience - particularly in the realm of whites. Ours was to be a French white Burgundy, 2009 Henri Boillot Clos de la Mouchere, a premier cru monopole wine from Puligny-Montrachet, and it was as gentle a wine as I've ever had, delicately layered in its flavour. A short time later we each received a beautiful little pretzeled bread roll, extremely flaky even to the eye, and so very buttery. As if that weren't enough, we also found butter placed before us, two handmade butters from Jersey cow milk. I've unfortunately forgotten one's origin, but it was a classic, wonderful butter, its surface sprinkled with fleur de sel. The other came from Andante, a local dairy I know very, very well for their masterful cheeses - but I had no idea they made butter! This had a different character to it, one I've found before in an Irish butter and those with high butterfat content, but even deeper and moreso. I have difficulty describing it beyond noting my synesthetic colour perception: a slightly dark yellow, not quite fully saturated but deep, deep to its core.
The first fish course arrived then, Atlantic striped bass displaying a lovely caramelised surface, as would a scallop, next to two little pools - a Yukon gold potato puree and a clam chowder doubling as sauce. There's an undesirable flavour that grows in fish as it ages that we've regrettably come to call "fishyness" for lack of a better term (unfair we know, it being a product of mistreatment and all, but it's proven impossible to describe otherwise); in this fish, however, we found certain elements of that flavour without the offensive components, and these elements worked with the rest of the flavours present to be fully enjoyable. Wizardry! Two tiny littleneck clams gave visual representation to the chowder, and were so uncharacteristic of their kind that I couldn't identify them despite being quite familiar with littlenecks. As for the potatoes, the puree was splendidly flavourful and creamy with more body I'd have thought possible given the level of milk and butter fats present, and the two perfectly carved little potatoes were a fantastic textural experience. Firm enough to offer resistance, but upon breaking it open there was no flood of cloying starch, that having somehow been replaced with the ideal of potato flavour seemingly without a delivering factor.
We were presented with options for our next bread roll here, Al opted for sourdough and I chose multi-grain - each representing the height of the form - and then they brought out the next, and last, fish course: butter-poached lobster tail, with a pair of little cooked romaine lettuce leaves, a touch of bacon, and a lightly frothed butternut squash bisque poured to surround. Beurre monte is a very simple butter sauce made by melting butter in such a way that it stays in emulsion, a trick that, once accomplished, can be maintained in a small temperature window - a temperature window, Keller realised one day, that is just right for poaching lobster. Upon applying any pressure to this perfect, fresh, firm, thick tail straight from Maine, butter begins seeping through its whole form, as any little bit of water or air that once existed in its structure has been replaced with butter. Nothing can be written to convey the resulting flavour; I thought I could imagine its splendor when I read about the preparation, but trust me, it's so much more in person. And the butternut squash bisque was the very peak of the form, lovely even next to the lobster.
At this point we felt we needed a break - after all, eight dishes with amuse could be a meal itself - but were advised to wait for the next dish as it was already being cooked, so we did. (The impression was this was merely advice from the chef as to how best enjoy the food, and that accommodations could be made.) But first we received two absurdly tall and wide wine glasses - truly absurd; I had a hard time stifling laughter at the sight - and our red wine arrived. This was a Syrah-Merlot blend from St Helena, California, a 2009 Variation One from Arietta. Slightly more than half a bottle, very, very nice. The first red meat dish came soon after, being a little bowl of tripes a la Provencal. A bright red sauce obscured the tripes themselves, which were served with a few vegetables and tiny croutons. It proved to be a trifle spicy, a problem for Al, who has an extremely low tolerance for heat ("green bell peppers are spicy, right?"). Overall, I found it a nice little dish, but didn't quite reach the magnificent or fantastic heights each of the other dishes had managed. Still, tripes seemed just fine to me and I can't imagine why anyone would specifically refuse them; for Al, they were merely inoffensive.
Our break lasted some fifteen minutes outside in the gentle coolness of a warm-for-January night, light cloud cover obscuring stars but not a thin crescent moon, enjoying the garden and a peak through the windows into the kitchen. Eventually we heeded the siren call of the food that awaited and, back inside, we were given another pass at bread - Al took up the multi-grain this time and I the simple French bread, still excellent - and then presented a bowl of pasta, being fresh, hand-made, hand-cut tagliatelle, a thin ribbon noodle, featuring a gentle cheese sauce and some bits of black pepper and truffle. Then, the waiter produced a black truffle and began slicing it, thinly as possible, over Al's dish. And continued slicing. And slicing. Still slicing. Nearly halfway into the truffle, he was finally satisfied and moved to mine, giving it the same treatment before leaving us with our now thoroughly truffled pasta. I'd not had the pleasure of fresh pasta before; it was slightly eggy in a way that was perfectly accompanied by the cheese sauce - simply incredible, even without truffle. With the truffle... I have little doubt that'll be pasta unmatched in my experience for a long, long time.
Next we had Moulard duck foie gras au torchon, served as a half disk standing up, probably twenty-five grams, with varied fruit and vegetable accompaniment, and a black sauce drawn on the plate of, what else, truffle. Along with the foie came extraordinarily thick slices of brioche toast - I thought each was a stack of two slices before taking one - and a large dish in the shape of a flower, placed in the middle of the table to reveal six compartments of salts. Two were Hawaiian large-grain salts, black and red, two were French salts, fleur de sel (white) and sel gris (grey), one finer grain white salt from the Phillippines, and the last, finest ground of them all, was pink, sourced to a copper mine in the northern United States and estimated to be some forty million years old. (Inaccurately named "Jurassic salt" by the company selling it; forty million years would put it right in the middle of the Paleogene period.) Very interesting how they all interacted with the foie gras, highlighting different notes in its extremely rich flavour. The Philippine salt was bright and gentle, very nice, most similar to fleur de sel, where the Jurassic salt was more textured as a result of greater impurities, being flecked with copper. All of the accompanying fruits were at their most brilliant, particularly notable of the orange and the cranberry, and the truffle coulis was, of course, fantastic. And, naturally, we were quietly brought more toast as needed. Our prior experience with foie gras au torchon comes, again, from Bouchon, but it wasn't nearly so good as this, and now I believe it's due to oversalting.
Following that unfollowable dish was Pekin duck breast, so beautiful Al had to struggle to begin eating it. The meat sat as a little bar a couple inches long, with a perfect little layer of gorgeous, white fat beneath the crisp, dark skin flecked with ground spices. Sharing its plate were carrots, small dark red balls, adorably tiny cauliflower, and an exceptional curry sauce. Rich, rich flavour presented in the meat, masterfully spiced, matched superbly to the curry, to everything. I've never enjoyed cauliflower, but these were delicious - even just the water clinging to it was potently flavourful and wonderful to taste. Those small red balls had a firm, doughy texture and excellent flavour, but were impossible to pin down. On asking, we found out they were dates, and I might have guessed it but for the fact that dates look nothing like this! The cooks de-seed them, scoop out a tiny piece, and roll that into a ball before a gentle simmer. Lovely, lovely.
After that, we informed the staff we'd like another break, and again were informed that the next dish is cooking and it'd be best to wait. So we had the steak, from a cut found wrapped around the rib-eye, in a portion similar in size to the duck, cooked to a deep, uniform rare red throughout with just the slightest layer of grey all around from its searing. This is served with a long piece of vinegared cabbage, some beets, and a dark red beet jus, with a spoonful of eighth-inch diced beef brisket as was cooked with the sauce to provide flavour. I've grown somewhat bored with beef, preferring lamb, but this was the absolute idealised form of beef - particularly the sweet, heavy flavour in the beet-soaked brisket. Cabbage is something I've found myself liking more and more, particularly as sauerkraut, and this was pure joy, cutting into those heavier beef flavours wonderfully.
We took another break, longer than the first, and went on a bit of a walk around the restaurant. But first we needed to use the restroom as we each managed to get a bit of the beet jus on our shirts, and at the merest suggestion that we'd need to use one a member of staff immediately offered to show us the way. Fortunately, the sauce came out with the help of their excessively luxurious paper towels - seriously, they feel like cloth! - without any staining. A bit of starlight for this break, some fresh, cool air, and back in for a cheese course. Called Echo Mountain Blue, it was a generous serving of blue cheese made in Oregon. Superb flavour, a truly excellent cheese, served with walnuts, endive, and skinned red grapes.
Our first dessert came next, being a small quenelle of osmanthus tea sherbet served next to an abundant crescent of fruits with a dramatic honey tuile. I recently became enamoured of satsuma mandarins after finding excellent examples in my local grocery store from an orchard in southern California, but those found on this plate blew those away. And the blood oranges were simply terrific. Al happens to enjoy tea a great deal and is fairly knowledgable about them, but hadn't encountered osmanthus before. It's a flower that's used as an herb in a traditional Chinese tea preparation, and here it was an interesting flavour, combining quite well with the pickled ginger. At first I found the sherbet a little odd, but warmed to it throughout, and somehow, after that last bite, the ginger and satsuma and tea mingled just brilliantly... such that I spent the next few minutes struggling not to cry. (I succeeded, for the record.)
The next dish was a cup of chilled apple cider, covered by a thick layer of rum creme anglaise, and two cylinders of warm, poached apple wrapped in a thin pastry shell, gently tasting of cinnamon and with a dusting of powdered sugar. Unfortunately, the server tipped my plate just a touch too far, causing the cup of cider to slide a couple inches, and one of the apple logs to roll, losing its powdered sugar. She apologised profusely, saying she was sure it'd be just as good, but was really, truly sorry for it. I waved it off, smiling, but I'm quite sure they'd have brought another plate if I'd asked. The dessert itself was simply amazing. I'm mystified as to how they got such a uniform, light poaching of such a large piece of apple, nor how the apples were cut to form these four perfect shapes. But the cider was the real star of this dish, spiced just perfectly. I cannot find words to describe it, except to call it ambrosial. I've had no drink that could compare, not among wines, hand-made sodas, or anything else. Oh, to have that again...
From that last dessert I was rather in the mood for a glass of calvados, but they regretted to inform me that they don't serve the drink and offered instead a glass of a dessert wine, naming a few off the top of his head. Nearly tempted by Tokay, I opted for Madeira, the Cossart-Gordon Bual 10 year, which was very, very nice, light, fantastic. Our dessert arrived soon after, a long, square bar of white chocolate parfait stretched across our next plate, mounted atop a crisp cookie layer, with a pair of small walnut cookie discs fancifully called pain de genes decorating it, and a long banded white and dark chocolate curl, impossibly tight, next to which sat a pleasantly shaped ball of delicious cherry sorbet. A brilliantly executed light dessert that had the misfortune to follow such perfect dishes and merely be excellent.
And finally we came to the last dish, which resided in a small coffee cup - another signature dish, "coffee and doughnuts". A small plate held four brioche doughnut holes, and in the cup was a coffee semifreddo covered in a milk foam to complete the image. Set in the middle of the table was a bowl filled with chocolate covered macadamia nuts that had been rolled in powdered sugar. The doughnuts were fresh as can be, having just reached doneness before receiving a coat of fine sugar and coming out to our table, retaining that warmth and moisture inside. And the coffee semifreddo was delightful, too, strongly flavoured with only the slightest stickiness from the meringue.
Our food finished, we each enjoyed a splendid cup of cappuccino as they brought us tall folders of textured card stock, embossed with their clothespin logo, which held our dinner menu (absent the amuse-bouches and coffee and doughnuts) printed on nicely-weighted paper, two bags containing eight shortbread and half a dozen house-made chocolates, and the check - which also had a novelty check written on a laundry ticket to keep as souvenir. Once we'd enjoyed our espresso, they invited us into the kitchen to meet the chef.
All their cooking done, they were gathered around a table planning the next day's menu, which we interrupted for mutual thanks and menu signing. This accomplished, we were on our way out when I asked to meet with the pastry chef as well. Now, I had thought I'd first said hello, but was later informed that upon being introduced to her I immediately and exuberantly burst into how I found the cider absolutely amazing, and that the tea sherbet nearly drove me to tears, and that it was all wonderful. A moment to recover, we spoke for a minute about work and such before we left. We foolishly thought we needed to return to our table for our remaining items, but were quickly told that it all waited at the front. And so we left The French Laundry at 12:30am, burdened with yet further delights to have over the coming days...
For those not aware, The French Laundry is one of the very finest restaurants in the world, at times holding the title of best. In the United States, only two other restaurants exist at its calibre - one being designed by the same chef. I've been wanting to go for a few years now; Al and I scored reservations on Black Friday last year. As they have to be two months in advance, we ate there Wednesday, and it was fantastic. And no, they don't typically do twenty courses, more like ten, but we requested an extended menu.
@Valentines Thread Name: [The Crafters] have captured your hearts.....and will make ragout with them. (or something other cooking related)
I approve of this idea. Maybe something a little easier to understand would be good though since I'm guessing most people won't know what ragout is (and even less people will bother to find out). And I personally like [The LoveCrafters], but maybe that's because I wasn't around last year. Some ideas:
[The LoveCrafters] will capture your heart... and make some heart stew.
[The LoveCrafters] will capture your heart... and throw it on the grill!
[The LoveCrafters] will capture your heart... Have you tried stuffed heart before?
Aurora, I'll have to make sure to visit that quiz when I'm on at home next.
Alters? Sure! I'm working on a Blasphemous Act and a Delver of Secrets right now (which I'd better get done quick since I'm running out of material to share with you guys!). For today, a couple of RDW staples, just for fun.
Not much else to say. I got class in an hour and I haven't done the homework yet. Remind me never to take two writing classes in the same semester again.
[TheLoveCrafters] want C'thulyou to be our Valentine?
I like this one.
@pet snake: I did the two writing classes in one semester when I was in college. I always liked that, but that's just me.
@Stardust: I like those alters. However, I think the bolt would be funnier if you replaced "sincerely" with "love".
@Zith: Holy cow, that's a lot of food.
@clan contest: just a reminder, if anyone hasn't read the mascot story and wants to, let me know and I'll send you a pm. (also, Kank has the NSFW version and will share if you email him)
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I liek Phelddagrifs.
Official Knitter of the Crafters.
Currently knitting: It's a surprise!
@Title: I think we can do [LoveCrafters] again... we only stuck with that one for a week last year.
How about [♥Crafters] instead?
Quote from vligerdragon »
@clan contest: just a reminder, if anyone hasn't read the mascot story and wants to, let me know and I'll send you a pm. (also, Kank has the NSFW version and will share if you email him)
I'm curious.
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"The only thing necessary for the triumph of evil is for good men to do nothing."
So that thing I was working on... it went just over 3,500 words. But you have to understand, twenty courses at The French Laundry is a lot to talk about!
For those not aware, The French Laundry is one of the very finest restaurants in the world, at times holding the title of best. In the United States, only two other restaurants exist at its calibre - one being designed by the same chef. I've been wanting to go for a few years now; Al and I scored reservations on Black Friday last year. As they have to be two months in advance, we ate there Wednesday, and it was fantastic. And no, they don't typically do twenty courses, more like ten, but we requested an extended menu.
Anyway, off to make oatmeal raisin cookies!
Dat cat's crazy! Zith, you really are missing your calling as a professional food critic!
And I personally like [The LoveCrafters], but maybe that's because I wasn't around last year. Some ideas:
[The LoveCrafters] will capture your heart... and make some heart stew.
[The LoveCrafters] will capture your heart... and throw it on the grill!
[The LoveCrafters] will capture your heart... Have you tried stuffed heart before?
@clan contest: just a reminder, if anyone hasn't read the mascot story and wants to, let me know and I'll send you a pm. (also, Kank has the NSFW version and will share if you email him)
That I do: [EMAIL="kank@kankennon.com"]kank@kankennon.com[/EMAIL]
Just know that it contains vulgar humor and implied sexual acts! (And is super funny to boot!)
I like Moss's way. Turn it into the <3 Crafters. Leap day could be fun focusing on! How about the TimeCrafters?
[The TimeCrafters]Keep Slipping Into the Future (Steve Miller Band, anyone :))
We've Got Too Much [TimeCrafters] on our Hands (Styx, anyone?)
The Great Leap Day Forward of [The TimeCrafters] (Mao Zedong, anyone?)
@Pre-release Stories: I don't have any really good ones from mine. Most of the games were pretty tame and not really full of craziness. Just people playing Magic for 15 straight hours was the crazy part. We had a TON of fun and went through a bunch of product. My full stats for the weekend involved running 28.5 hours worth of events over a 37 hour period. We went through 15 boxes of product total.
I like Moss's way. Turn it into the <3 Crafters. Leap day could be fun focusing on! How about the TimeCrafters?
[The TimeCrafters]Keep Slipping Into the Future (Steve Miller Band, anyone :))
We've Got Too Much [TimeCrafters] on our Hands (Styx, anyone?)
The Great Leap Day Forward of [The TimeCrafters] (Mao Zedong, anyone?)
Thanks. I'll look into it. Also, clockwork avian? Power source? POWER STONES FROM THE THRAN! (Really. Check the user:Syphon article on the MTGS wiki. I have a lot of experience with them)
Leap Year?
Chinese New Year?
Year of the Dragon?
Obviously, we've already had some Valentine's Day ideas.
I'm cool with anything.
Abby wanted to keep the story secret to just clan eyes as far as I could tell, but really anything you could write in first person could be incorporated.
If you want to see what she's written so far, you could PM either one of us. It's very open.
You can make power stones? If you can, that's great! Let's get this owl off the ground!
Edit: Just made two random cards as I am wont to do.
Supplicant of the Ur-Dragon
Creature - Dragon Cleric
Flying
Tap a dragon: Draw a card.
5/5
4UR
Moongrin Pack Seer
Creature - Dog Wizard
Whenever you play a Dog spell, untap ~.
Tap: Look at the top card of your library. You may put that card on the bottom of your library.
1/2
2UR
Anyways, some of you might notice something in my sig...
(Or, if you have sigs turned off, here.)
Official Quizmaster of The Crafters!
Follow Lasersharp on Facebook
Taking it now...let's see how I do.
8/36. I got :00, :20, 2:20, 2:30, 3:15, 5:15, 6:30, and 6:45. I should have gotten 7:15 but couldn't remember the name. I got the right band at least, but the fact that the solo kept going on in my head to no conclusion should have been a tipoff.
(Best score so far as far as I know is 17/36.)
Oh, and yes, I picked a crazy section of that last song.
If I had to pick two hardest songs in the quiz... probably 4:30 and 6:15.
Official Quizmaster of The Crafters!
Follow Lasersharp on Facebook
also, I return~
Done by Rivenor of Miraculous Recovery signatures!
WHY?! That was a legitimate to good pun. Kank, help!!!
@Valentines Thread Name: [The Crafters] have captured your hearts.....and will make ragout with them. (or something other cooking related)
Signature done by DNC from the Heroes of the Plane Studios
--------------------
Official Ink Bearer of [The Crafters]
--------------------
Old Custom Set: Imminence over Marycion
So that thing I was working on... it went just over 3,500 words. But you have to understand, twenty courses at The French Laundry is a lot to talk about!
Served in exceptionally tall champagne flutes, the drink was very light, clean, crisp, and smooth, but still managed to hold its ground against the first amuse-bouche: gougere. Traditionally - or at least, in my experience - gougere has its cheese cooked into the dough before baking, where this had a molten cave-aged gruyere center in a plain, impeccable pate-a-choux shell. A single bite, a few moments to savour its glowingly warm cheese excellence, and we had second amuse before us. Balanced on a metal plate supported above the table sat two little cones topped with pastel orange balls, looking every bit like tiny servings of ice cream - smoked salmon tartare coronets, filled with brandy creme fraiche. Al, who's grown weary of salmon over the years, was refreshed by this distillation of all that can be delightful in the fish. Deeply flavoured, paired with the lightening creme fraiche, and set to gentle spices in the cone; perfect. These signature openers completed, we moved on to the menu proper...
Our servers brought charming, squat, lidded cylinders to the table, resting on a stack of three plates, each broadly-rimmed with a houndstooth pattern. The lids were taken to reveal a shallow indentation in the cylinder, where varied fruit and vegetable rested - immediately to become the garnish beneath a parsnip-vanilla veloute. Parsnip happens to be my very favourite vegetable (barring the onion) and this was as wonderfully warm as parsnip ever could be, even paired with cool vanilla bean, speaking to the quality of the restaurant's own garden where most all the root vegetables and herbs are grown. Little can match parsnip's ability to make me sigh contentedly, but I fear that innate reaction will be diminished in the future save when it brings me back to a happy remembrance of this soup.
And then we were given mother of pearl spoons for The French Laundry's perennial "Oysters and Pearls". Again served on a stack of wide plates, four this time (we were told our meal would likely use some eighty dishes between us), we found ourselves with a small bowl of tapioca sabayon, upon which rested two small oysters and a sizeable portion of white sturgeon caviar. Our previous caviar experience comes from another Keller restaurant, Bouchon, which also serves white sturgeon, but this was more excellent yet. The more tender membranes were so gentle, transmitting their slight brine in sublime fashion, matching our now half-drunk champagne as remarkably as the perfectly assembled tapioca. The pair of oysters mingled in that briny flavour and brought a note of sweetness to the dish. Fantastic! And the spoons were enormous as caviar spoons go, being almost the size of a normal spoons, with beautiful curve.
Coming away from the caviar and tapioca, we were presented a single large spoon on (yes) a triple stack of plates, the bowl of which was completely filled with beautiful orbs of salmon roe, surrounded by butter and sprinkled with lime salt - quite the sight! All the flavours blended into one gorgeous taste upon breaking the eggs.
Next was something of a deconstructed sushi roll, presented as a small domed rectangle of rice with a layer of avocado, next to which sat a thin matching rectangle of lightly cooked sardine, its beautifully shimmering silver skin unmarred in preparation. Neither of us had had sardine before, and if this is what sardine ought to be we can see the appeal. Amazing, rich flavour dazzled our tongues as its flaky flesh yielding instantly to fork and tongue. The rice was expertly crafted, maintaining the shape with precision but without the need to grow sticky and despite the presence of rice vinegar. At this point there was no doubt that wizardry is afoot in their kitchen.
As if to confirm this, we were next given an egg resting in a short stand, its top end cut off. Inside sat a custard, infused with white truffle oil, covered by a black truffle ragout, and, rising up through the hole, a narrow bar of potato chip with a single green chive running a straight line perfectly centred along its length within. The hole was, naturally, just wide enough to allow the spoon to enter, and as much as it's over-used, silky smooth accurately describes the fineness of texture for the custard. Being late January, black truffle season was in full swing and this ragout demonstrated it fully; the white truffle didn't suffer for its season having just passed. As we progressed through the custard and had bites in full contact with the egg's shell, the flavour turned more significantly to an egg white, changing the composition again. Wonderful, in every way.
A small serving table was rolled next to us and our server produced two blackened balls, each perhaps slightly smaller than a golf ball. Taking up a carving knife, he opened what he explained was a thick coating of ash, as would be used in aging cheese, to reveal that each contained a truffle. The ash is to provide no escape for any of the truffle's essence as might otherwise leave the truffle while it cooked. He then cut our truffles, placed them with the accompanying elements waiting on the plate - compressed persimmon, beets, pistachios, and some herbs and blossoms. We'd not had unshaved truffle before, and its texture is incredible, firm, friable, but with a spring, and its flavour... beyond words. Compressed persimmon was an interesting experience, too, taking on structure very close to that of traditional fruit jellies. Quite the salad!
Here two large brandy glasses were placed before us, and we were presented our half-bottle of white wine, heralding our fish courses. I'd earlier asked the sommelier to select for us a half-bottle each red and white (within a set budget), citing our inexperience - particularly in the realm of whites. Ours was to be a French white Burgundy, 2009 Henri Boillot Clos de la Mouchere, a premier cru monopole wine from Puligny-Montrachet, and it was as gentle a wine as I've ever had, delicately layered in its flavour. A short time later we each received a beautiful little pretzeled bread roll, extremely flaky even to the eye, and so very buttery. As if that weren't enough, we also found butter placed before us, two handmade butters from Jersey cow milk. I've unfortunately forgotten one's origin, but it was a classic, wonderful butter, its surface sprinkled with fleur de sel. The other came from Andante, a local dairy I know very, very well for their masterful cheeses - but I had no idea they made butter! This had a different character to it, one I've found before in an Irish butter and those with high butterfat content, but even deeper and moreso. I have difficulty describing it beyond noting my synesthetic colour perception: a slightly dark yellow, not quite fully saturated but deep, deep to its core.
The first fish course arrived then, Atlantic striped bass displaying a lovely caramelised surface, as would a scallop, next to two little pools - a Yukon gold potato puree and a clam chowder doubling as sauce. There's an undesirable flavour that grows in fish as it ages that we've regrettably come to call "fishyness" for lack of a better term (unfair we know, it being a product of mistreatment and all, but it's proven impossible to describe otherwise); in this fish, however, we found certain elements of that flavour without the offensive components, and these elements worked with the rest of the flavours present to be fully enjoyable. Wizardry! Two tiny littleneck clams gave visual representation to the chowder, and were so uncharacteristic of their kind that I couldn't identify them despite being quite familiar with littlenecks. As for the potatoes, the puree was splendidly flavourful and creamy with more body I'd have thought possible given the level of milk and butter fats present, and the two perfectly carved little potatoes were a fantastic textural experience. Firm enough to offer resistance, but upon breaking it open there was no flood of cloying starch, that having somehow been replaced with the ideal of potato flavour seemingly without a delivering factor.
We were presented with options for our next bread roll here, Al opted for sourdough and I chose multi-grain - each representing the height of the form - and then they brought out the next, and last, fish course: butter-poached lobster tail, with a pair of little cooked romaine lettuce leaves, a touch of bacon, and a lightly frothed butternut squash bisque poured to surround. Beurre monte is a very simple butter sauce made by melting butter in such a way that it stays in emulsion, a trick that, once accomplished, can be maintained in a small temperature window - a temperature window, Keller realised one day, that is just right for poaching lobster. Upon applying any pressure to this perfect, fresh, firm, thick tail straight from Maine, butter begins seeping through its whole form, as any little bit of water or air that once existed in its structure has been replaced with butter. Nothing can be written to convey the resulting flavour; I thought I could imagine its splendor when I read about the preparation, but trust me, it's so much more in person. And the butternut squash bisque was the very peak of the form, lovely even next to the lobster.
At this point we felt we needed a break - after all, eight dishes with amuse could be a meal itself - but were advised to wait for the next dish as it was already being cooked, so we did. (The impression was this was merely advice from the chef as to how best enjoy the food, and that accommodations could be made.) But first we received two absurdly tall and wide wine glasses - truly absurd; I had a hard time stifling laughter at the sight - and our red wine arrived. This was a Syrah-Merlot blend from St Helena, California, a 2009 Variation One from Arietta. Slightly more than half a bottle, very, very nice. The first red meat dish came soon after, being a little bowl of tripes a la Provencal. A bright red sauce obscured the tripes themselves, which were served with a few vegetables and tiny croutons. It proved to be a trifle spicy, a problem for Al, who has an extremely low tolerance for heat ("green bell peppers are spicy, right?"). Overall, I found it a nice little dish, but didn't quite reach the magnificent or fantastic heights each of the other dishes had managed. Still, tripes seemed just fine to me and I can't imagine why anyone would specifically refuse them; for Al, they were merely inoffensive.
Our break lasted some fifteen minutes outside in the gentle coolness of a warm-for-January night, light cloud cover obscuring stars but not a thin crescent moon, enjoying the garden and a peak through the windows into the kitchen. Eventually we heeded the siren call of the food that awaited and, back inside, we were given another pass at bread - Al took up the multi-grain this time and I the simple French bread, still excellent - and then presented a bowl of pasta, being fresh, hand-made, hand-cut tagliatelle, a thin ribbon noodle, featuring a gentle cheese sauce and some bits of black pepper and truffle. Then, the waiter produced a black truffle and began slicing it, thinly as possible, over Al's dish. And continued slicing. And slicing. Still slicing. Nearly halfway into the truffle, he was finally satisfied and moved to mine, giving it the same treatment before leaving us with our now thoroughly truffled pasta. I'd not had the pleasure of fresh pasta before; it was slightly eggy in a way that was perfectly accompanied by the cheese sauce - simply incredible, even without truffle. With the truffle... I have little doubt that'll be pasta unmatched in my experience for a long, long time.
Next we had Moulard duck foie gras au torchon, served as a half disk standing up, probably twenty-five grams, with varied fruit and vegetable accompaniment, and a black sauce drawn on the plate of, what else, truffle. Along with the foie came extraordinarily thick slices of brioche toast - I thought each was a stack of two slices before taking one - and a large dish in the shape of a flower, placed in the middle of the table to reveal six compartments of salts. Two were Hawaiian large-grain salts, black and red, two were French salts, fleur de sel (white) and sel gris (grey), one finer grain white salt from the Phillippines, and the last, finest ground of them all, was pink, sourced to a copper mine in the northern United States and estimated to be some forty million years old. (Inaccurately named "Jurassic salt" by the company selling it; forty million years would put it right in the middle of the Paleogene period.) Very interesting how they all interacted with the foie gras, highlighting different notes in its extremely rich flavour. The Philippine salt was bright and gentle, very nice, most similar to fleur de sel, where the Jurassic salt was more textured as a result of greater impurities, being flecked with copper. All of the accompanying fruits were at their most brilliant, particularly notable of the orange and the cranberry, and the truffle coulis was, of course, fantastic. And, naturally, we were quietly brought more toast as needed. Our prior experience with foie gras au torchon comes, again, from Bouchon, but it wasn't nearly so good as this, and now I believe it's due to oversalting.
Following that unfollowable dish was Pekin duck breast, so beautiful Al had to struggle to begin eating it. The meat sat as a little bar a couple inches long, with a perfect little layer of gorgeous, white fat beneath the crisp, dark skin flecked with ground spices. Sharing its plate were carrots, small dark red balls, adorably tiny cauliflower, and an exceptional curry sauce. Rich, rich flavour presented in the meat, masterfully spiced, matched superbly to the curry, to everything. I've never enjoyed cauliflower, but these were delicious - even just the water clinging to it was potently flavourful and wonderful to taste. Those small red balls had a firm, doughy texture and excellent flavour, but were impossible to pin down. On asking, we found out they were dates, and I might have guessed it but for the fact that dates look nothing like this! The cooks de-seed them, scoop out a tiny piece, and roll that into a ball before a gentle simmer. Lovely, lovely.
After that, we informed the staff we'd like another break, and again were informed that the next dish is cooking and it'd be best to wait. So we had the steak, from a cut found wrapped around the rib-eye, in a portion similar in size to the duck, cooked to a deep, uniform rare red throughout with just the slightest layer of grey all around from its searing. This is served with a long piece of vinegared cabbage, some beets, and a dark red beet jus, with a spoonful of eighth-inch diced beef brisket as was cooked with the sauce to provide flavour. I've grown somewhat bored with beef, preferring lamb, but this was the absolute idealised form of beef - particularly the sweet, heavy flavour in the beet-soaked brisket. Cabbage is something I've found myself liking more and more, particularly as sauerkraut, and this was pure joy, cutting into those heavier beef flavours wonderfully.
We took another break, longer than the first, and went on a bit of a walk around the restaurant. But first we needed to use the restroom as we each managed to get a bit of the beet jus on our shirts, and at the merest suggestion that we'd need to use one a member of staff immediately offered to show us the way. Fortunately, the sauce came out with the help of their excessively luxurious paper towels - seriously, they feel like cloth! - without any staining. A bit of starlight for this break, some fresh, cool air, and back in for a cheese course. Called Echo Mountain Blue, it was a generous serving of blue cheese made in Oregon. Superb flavour, a truly excellent cheese, served with walnuts, endive, and skinned red grapes.
Our first dessert came next, being a small quenelle of osmanthus tea sherbet served next to an abundant crescent of fruits with a dramatic honey tuile. I recently became enamoured of satsuma mandarins after finding excellent examples in my local grocery store from an orchard in southern California, but those found on this plate blew those away. And the blood oranges were simply terrific. Al happens to enjoy tea a great deal and is fairly knowledgable about them, but hadn't encountered osmanthus before. It's a flower that's used as an herb in a traditional Chinese tea preparation, and here it was an interesting flavour, combining quite well with the pickled ginger. At first I found the sherbet a little odd, but warmed to it throughout, and somehow, after that last bite, the ginger and satsuma and tea mingled just brilliantly... such that I spent the next few minutes struggling not to cry. (I succeeded, for the record.)
The next dish was a cup of chilled apple cider, covered by a thick layer of rum creme anglaise, and two cylinders of warm, poached apple wrapped in a thin pastry shell, gently tasting of cinnamon and with a dusting of powdered sugar. Unfortunately, the server tipped my plate just a touch too far, causing the cup of cider to slide a couple inches, and one of the apple logs to roll, losing its powdered sugar. She apologised profusely, saying she was sure it'd be just as good, but was really, truly sorry for it. I waved it off, smiling, but I'm quite sure they'd have brought another plate if I'd asked. The dessert itself was simply amazing. I'm mystified as to how they got such a uniform, light poaching of such a large piece of apple, nor how the apples were cut to form these four perfect shapes. But the cider was the real star of this dish, spiced just perfectly. I cannot find words to describe it, except to call it ambrosial. I've had no drink that could compare, not among wines, hand-made sodas, or anything else. Oh, to have that again...
From that last dessert I was rather in the mood for a glass of calvados, but they regretted to inform me that they don't serve the drink and offered instead a glass of a dessert wine, naming a few off the top of his head. Nearly tempted by Tokay, I opted for Madeira, the Cossart-Gordon Bual 10 year, which was very, very nice, light, fantastic. Our dessert arrived soon after, a long, square bar of white chocolate parfait stretched across our next plate, mounted atop a crisp cookie layer, with a pair of small walnut cookie discs fancifully called pain de genes decorating it, and a long banded white and dark chocolate curl, impossibly tight, next to which sat a pleasantly shaped ball of delicious cherry sorbet. A brilliantly executed light dessert that had the misfortune to follow such perfect dishes and merely be excellent.
And finally we came to the last dish, which resided in a small coffee cup - another signature dish, "coffee and doughnuts". A small plate held four brioche doughnut holes, and in the cup was a coffee semifreddo covered in a milk foam to complete the image. Set in the middle of the table was a bowl filled with chocolate covered macadamia nuts that had been rolled in powdered sugar. The doughnuts were fresh as can be, having just reached doneness before receiving a coat of fine sugar and coming out to our table, retaining that warmth and moisture inside. And the coffee semifreddo was delightful, too, strongly flavoured with only the slightest stickiness from the meringue.
Our food finished, we each enjoyed a splendid cup of cappuccino as they brought us tall folders of textured card stock, embossed with their clothespin logo, which held our dinner menu (absent the amuse-bouches and coffee and doughnuts) printed on nicely-weighted paper, two bags containing eight shortbread and half a dozen house-made chocolates, and the check - which also had a novelty check written on a laundry ticket to keep as souvenir. Once we'd enjoyed our espresso, they invited us into the kitchen to meet the chef.
All their cooking done, they were gathered around a table planning the next day's menu, which we interrupted for mutual thanks and menu signing. This accomplished, we were on our way out when I asked to meet with the pastry chef as well. Now, I had thought I'd first said hello, but was later informed that upon being introduced to her I immediately and exuberantly burst into how I found the cider absolutely amazing, and that the tea sherbet nearly drove me to tears, and that it was all wonderful. A moment to recover, we spoke for a minute about work and such before we left. We foolishly thought we needed to return to our table for our remaining items, but were quickly told that it all waited at the front. And so we left The French Laundry at 12:30am, burdened with yet further delights to have over the coming days...
Anyway, off to make oatmeal raisin cookies!
Signature done by DNC from the Heroes of the Plane Studios
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Official Ink Bearer of [The Crafters]
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Old Custom Set: Imminence over Marycion
I approve of this idea. Maybe something a little easier to understand would be good though since I'm guessing most people won't know what ragout is (and even less people will bother to find out). And I personally like [The LoveCrafters], but maybe that's because I wasn't around last year. Some ideas:
[The LoveCrafters] will capture your heart... and make some heart stew.
[The LoveCrafters] will capture your heart... and throw it on the grill!
[The LoveCrafters] will capture your heart... Have you tried stuffed heart before?
Aurora, I'll have to make sure to visit that quiz when I'm on at home next.
Alters? Sure! I'm working on a Blasphemous Act and a Delver of Secrets right now (which I'd better get done quick since I'm running out of material to share with you guys!). For today, a couple of RDW staples, just for fun.
@Title: I think we can do [LoveCrafters] again... we only stuck with that one for a week last year.
Official Quizmaster of The Crafters!
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College is absorbing me. It sucks.
Not much else to say. I got class in an hour and I haven't done the homework yet. Remind me never to take two writing classes in the same semester again.
Semi-Retired EDH: Saffi Infinite Combo | Grenzo Mono-Red Aggro
Modern: Shamanism
Thread | CubeTutor :Jank Cube
I like this one.
@pet snake: I did the two writing classes in one semester when I was in college. I always liked that, but that's just me.
@Stardust: I like those alters. However, I think the bolt would be funnier if you replaced "sincerely" with "love".
@Zith: Holy cow, that's a lot of food.
@clan contest: just a reminder, if anyone hasn't read the mascot story and wants to, let me know and I'll send you a pm. (also, Kank has the NSFW version and will share if you email him)
Official Knitter of the Crafters.
Currently knitting: It's a surprise!
How about [♥Crafters] instead?
I'm curious.
If you can be killed for initiating a bad pun, then I must be America's Most Punted.
Dat cat's crazy! Zith, you really are missing your calling as a professional food critic!
I have a good title for your column:
"Chad's Goods and Bads!"
Options options options!
That I do: [EMAIL="kank@kankennon.com"]kank@kankennon.com[/EMAIL]
Just know that it contains vulgar humor and implied sexual acts! (And is super funny to boot!)
[The TimeCrafters]Keep Slipping Into the Future (Steve Miller Band, anyone :))
We've Got Too Much [TimeCrafters] on our Hands (Styx, anyone?)
The Great Leap Day Forward of [The TimeCrafters] (Mao Zedong, anyone?)
@Pre-release Stories: I don't have any really good ones from mine. Most of the games were pretty tame and not really full of craziness. Just people playing Magic for 15 straight hours was the crazy part. We had a TON of fun and went through a bunch of product. My full stats for the weekend involved running 28.5 hours worth of events over a 37 hour period. We went through 15 boxes of product total.
@French Laundry: Mmmmmmm..................................
@Owl Story: So, do I need to get in on this?
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votan's Linux-loving Soul
grappler12's Poop-smithing Soul
Sir Blakely's Fencing Soul
CraZedMiKe's Soul Transferred Back at His Request
HAWKEYE 7's Calvin and Hobbes Loving Soul
Tanthalas' Greek Alliance Soul
Avatar of Kokusho's Island-Hating Soul
Salubrious' Rather-Belatedly Added Soul
DCI Advanced Organizer
That'd work! I me some ASCII!
Okay, more name options.
Owl story? Please! The more the merrier!
Official Knitter of the Crafters.
Currently knitting: It's a surprise!
My wife loves to sing and I enjoy playing fake plastic musical instruments, so we get a lot of enjoyment out of the Rock Band series. Does that count?
Step 2 : Order whiskey, neat.
Step 3 : Drink that while singing Backstreet Boys.
Edit: I forgot Step 0: have large and/or ex-military friends.
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